This
is a new psychedelic Finnish band. This album was recorded live in the studio
in July 2012. This album is a true psychedelic trip so be ready when you put
side A. The album is split up into 6 parts, with four of them on side A and 2
on side B. Introduction starts things off and is a really psychedelic intro
before entering into Incarnation! The incarnation starts with a very heavy low
end bass. The sound is a mix of low fi fuzzed out guitar, tripped out vocals
but quite high definition on the bass, which really pushes through the sound in
a very cool way. Very cool lyrics as well.. After the short vocal section it is
all about a psychedelic freakout with the guitars and then a major change
occurs as it slows down before building back up with multiple changes in the
guitar riffs and sound but always totally out in psychedelic space. Often the
drums just disappear completely in the haze of sound. of cool guitar solos and
effects. Very inventive. Lots Very trippy stuff. The track Lamia ends side A
and starts with a slow building guitar solo that slowly morphs into the monster
doom riff and the vocals come back in a very angry way (but they are mixed
quite low so it is hard to understand what he is saying but you can read them
in the LP). Intense. Sit back, smoke
some more and then take on side B. It starts with the instrumental track,
Eifluvial Condenser. Slow and spacey delay guitars build up the track and over
and over he says electric fuse.. and then the psychedelic guitars take over
completely as the track builds over a repeated slow doomy bass and drum groove.
Argenteum Astrum is the last track that builds out of a really spaced out
section with lot of sounds and drones and effects and then the guitars come as
it all slowly grows, crawls along the mossy forest floor, oozing it’s way into
your mind, until the silence is broken with the return of the huge riff and
bass once again taking the psychedelic experience to a higher level. I was really impressed with this
record. Wow… and the album sleeve artwork is some of the coolest this year.
Great job guys, now come down to Denmark and space us out!
This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
Friday, December 20, 2013
Tidsgæst- Tidsgæst (Afd O Records AFDO-201302)
Tidsgæst
(Time’s Guest) are a new Danish band playing experimental psychedelic rock
music with many influences. Most of the songs are instrumental but some like I
det Hinsides have long sets of lyrics all sung in Danish. The opening sequence
of Portal into Onironaut reminds me a bit of Aron, that sort of spooky low fi
but also beautiful melodic music. I det Hinsides is a strange psychedelic track
with a ska riff at times and pretty far out at other times. Dødsridt keeps the
theme dark and features some nice dual layers of lead guitar while the drummer
and bass player keep the rhythm uptempo. It is really tripped out with a like
theremin otherworldy stuff happening. Cool…Ondt Blod ends the side A. Side B
starts with the title track, which has a lot of lyrics and reminds me a bit of
SEID (one of the tracks they did for the Lord of the Rings movies).
Khronopompos starts as a trippy soundscape with some metallic sounds and
effects and later piano. It slowly grows over the 5mins and leads into the very
short Søndagsmesse. Hver Søndag is another longer track with a lot of lyrics
but all delivered in a slow spoken word phrasing with a simple drone organ and
other keyboard line. At the end a dark demon presence enters the track. Be
scared! Far out stuff… Now for side C. Uopklaret Sag nr. 2431-b which is a
pretty long trip, around 10mins and features a long police report from 1933
being read! The band creates a dark mood also in this one with two interweaving
guitar, bass and drums. Forkert Messe follows and is instrumental and is like
music that might accompany a 1920’s or 1930 silent film. Pretty cool with a
spacey organ starting the track Den Forkerte Dor. It develops into a very cool
song. I love the guitar hook and lead guitar line. The vocal has a funny effect
on it.. Side D starts off with Den Blaa jomfru and this reminds me of Aron’s
solo material (he was a sort of advisor on the record!). Slow, plodding and
mysterious. The last two tracks are both instrumental (Gravmaernens Val and
Evighedsglimt) and the first has an excellent jazzy guitar solo and the last a
long organ solo. These are some fantastic tracks. That is the end. This is not
music for everyone, you need to be in the right mood and be ready to open up
your mind, then you can enjoy this quite a lot. Understanding Danish would also
help a lot. There is almost no information on the record about where it
was record, when, who plays on it, etc.. so this must remain a mystery for
now.. This record is a double vinyl in a nice single sleeve and made in only
250 copies. Check the link below.
Sophie’s Earthquake- S/ EP (Private Release)
Sophie’s
earthquake is a three piece German rock trio. This EP features 3 long songs
that developed out of four years of the band jamming. Pressure Soul (8:41)
starts slow and spacey and then the main bass and guitar riff kicks in with an
ominous feeling and maybe a slight Eastern feel at times as it is builds in
both pace and tension. It gets quite heavy before comeing down again and
heading into the main guitar solo section. Great song and dynamics. Checkless
(5:54) is led by a cool bass line and Janosch’s vocal comes in pretty soon
after the start of this track. The theme
is dark and mysterious. Reminds me a bit of Soundgarden at times. Excellent
song. La ira de los Tres is a very intense track with a more metallic feel at
times and a quite heavy riff towards the end and very intense guitar solo but
it starts off with some acoustic guitar. Reminds me a bit of the German band
Trigon. Actually, if you are a fan of Trigon, you will dig this band as well. Check this band out.. They were nice people as
well when I met them.
The Cosmic Dead/Pigs Pigs Pigs Pigs Pigs Pigs Pigs-split lp (The Old Noise TON001)
I
have never heard of the Pigs x 7 before but this was pretty cool and
psychedelic. Each band plays an LP side long track. The Wizard and the 7 Swines
starts things off with a nice catchy guitar riff before the hypnotic bass line
kicks in and the singer starts to have a good time, with small vocalisations
and then his anger and energy really drives the music. The intensity of the
guitar also changes and builds along with the wildness of the singer. Reminds
me a bit of Roque Male (if anyone remembers this cool band). This song is
pretty intense all the way through from the spacey start to the end with some
cool guitar parts and riff changes as well. They get more heavy and almost
doomy at the end. Great stuff. The Cosmic Dead, well, they do their Cosmic Dead
thing and take you and wrap you up in their comfy pillow arms and safely move
your mind to the next dimension. Very cool trip. Got to love the Dead, as Alice
says….. Enjoy..
Saturday, December 14, 2013
Svensk Psych Night III- Dæmonen’s Port, København Dec 13th, 2013
This was the third event organized by Sven and the folks from Kildemose Festival and Levitation Records and it was a great success. 5 bands for 50 kroner. I had only ever heard The Hills from Göteborg who also played at the first Svensk psych night with Flowers must Die. Anyway, Nils and I rode our bikes in the wet cold drizzly weather over to the venue around 20. I had made a very spicy goat curry with naga chile and we shared 3 beers and heard the Somethings in the Water (Rise above Records) compilation and a side of Domovoyd as well before riding out.
Myreskær |
The place was pretty filled up by the time they finished and incredibly smoky. I could hardly breathe and often had to go stand by the open door. A lot of friends were here including, Tom, Sven, Rene, Morten Aron, Nik (ex-On trial), Nik the photographer, Jan from Kildemose Festival and his friends, lots of folks from some of the young bands around town, so that was cool and actually quite a few women! Anyway, Myreskær (Formic Cut) are a young five piece punky garage rock band. They played a pretty simple and quick 35 min set of passionate songs all sung in Danish. The vocals were the only thing coming out of the PA and they sounded terrible. So dry and harsh, they badly needed some EQ and reverb (it would also continue like this until Magnus fixed it for Hills, who had the mic so low you could never hear them anyway!). The singer was very passionate as where the rest of the band. They really were into their songs. People were having fun and starting to feel the effects of the smoke and alcohol now as the place was pretty lively.
Doublestone |
Another quick set change and local stoner-70s rock band Doublestone were up. I have wanted to see them for the past year but have always missed them. Very nice guys when I spoke to them and I tried to encourage them to do some jamming or improve, but I failed. Anyway, Nik (OnTrial), he was up in the front and really rocking and this helped suck all the energy right to the front and Doublestone rocked the place. They did not do any psychedelic stuff at all or try to jam or space out but just played their songs straight up, heads down, ROCK…. Cool band with some great songs, some stoner, more bluesy hard rock with some short guitar solos. The band is still a bit afraid to step out of the box and to take their songs to the next level although the last track was a bit extended. Great band and this was a just what I and the crowded needed.
It took 45 mins for Hills to set up. The band has now expanded to a five piece, which is a great thing. The addition of a 2nd guitar player was a good idea. The female drummer, she just totally rocks and the bass was really pummelling the groove into the room. It was not after midnight and some people had left after Doublestone but this was the highlight for sure. The band played a few shorter tracks off their Hills Sleeps record but mostly they just spaced out with long winding jams with spacey keyboards (a bit too low in the mix), cool groovers and intertwining psychedelic guitar solos and riffs. People were in a trance and really liking it. One thing we really missed was some cool lights or projections tonight. All the bands just stood in white lights the entire night. This would have made the entire experience so much better. I think they played for about 70mins. The last band was from Århus Narcosatanicos, playing a sort of psychedelic DOOM. My friend Jens was very disappointed I was leaving but the smoke had just done me in and I could not be trapped inside the ashtray any longer. I was getting a head ache, my lungs hurt…. I hope they were great. They were trying to set up some visuals but it was going to be late. It was nearly 2 now.. A very successful night. Thanks Sven, Kasper and Jan for arranging this.
HILLS |
Saturday, December 7, 2013
The OSC- Mantric Muse German Tour November 2013
Tuesday Nov 26th
21:45 I met up with Peter and picked up the huge Mercedes
Sprinter (6.95m long and 8 seats and huge space for the gear). This is by far
the best van we have ever toured in. IT was very hard to find a place to park
it and I had to park it illegally so I hope I don’t have a ticket in the
morning. The back left tire is looking a bit low but Peter did not seem to be
worried and just said we should check it in the morning and add air. He had
checked the entire van etc.
Weds Nov 27th
7:10 I woke up at 5 this morning. Too much on my mind. I was a bit anxious about getting a ticket. I hope the Swedes are on the way soon…
8:40 No ticket.. Phew.. The packing is going slowly and we had hoped to be on the road by now. The back tire is really looking low. It must have a leak. Søren is still not here yet but we are packing all the MM stuff now. It is wet, cold and this is not good for all the boxes with the merch but we try to protect it.
8:50 We are packed but we all agree we have to deal with the tire. Søren is not here, he is stuck in traffic.
7:10 I woke up at 5 this morning. Too much on my mind. I was a bit anxious about getting a ticket. I hope the Swedes are on the way soon…
8:40 No ticket.. Phew.. The packing is going slowly and we had hoped to be on the road by now. The back tire is really looking low. It must have a leak. Søren is still not here yet but we are packing all the MM stuff now. It is wet, cold and this is not good for all the boxes with the merch but we try to protect it.
8:50 We are packed but we all agree we have to deal with the tire. Søren is not here, he is stuck in traffic.
9:41 We had no choice to but to get the tire repaired. The
tire had a nail in it! I called peter and it was all cool and they agreed to
pay for the tire repair (250kr). Now, we are delayed about an hour. People are
in a good mood and relaxed despite the set back. We only have to get to Hamburg
and we have a GPS on søren’s phone so we are less likely to get lost.
12:03 We just reached the ferry now.
13:03 The ferry trip is over and we got some food. Schniztel
is the usual band favourite except the vegetarians. We bought a case of coke
and two cases of beer. I did some stretching of my back (I have really bad
lower back problems). Jocke is driving and we are listening to the new Taylor’s
Universe- Evidence CD. everyone is really liking this one..
13:55 We are about 75km from Hamburg. Weather is not very
nice. Cold, windy and light rain. We are hearing the new Korai Öröm 2013 CD.
Cool stuff.
14:51 We missed the exit and went 5km too far. We are
finding the right way but it is small roads and lots of traffic. Should be at
Sabine’s house in 20mins. We will eat, bring in our sleeping stuff and relax
for an hour or so. So far we have heard Papir- Studum, Scorpions- In Trance,
Funkadelic- S/t, Sasquatch IV, Robin Taylor- Evidence…..
16:30 We had some very nice Indian food at Sabine’s and
everyone is in a good mood and having a beer. Today is Sabine’s birthday and I
bought her a small gift and we sung her Happy birthday. I am also lying down
and got a massage which is really helpful. Tak Sabine.
17:00 We are stuck in terrible traffic and listening to
GONG-Live etc..
17:55 It was tricky to park the van but we made it and are
setting up. The stage is a very strange shape and this DJ booth thing takes up
a lot of the area. We will manage. The Sound guy and club people are really
cool here at Guner Jager. The room is quite small so even if there are only 30
people it will feel like a good crowd.
19:15 People are coming now. We did a soundcheck and it will
be an intense show in this small place. The bass is really massive and
modulates like crazy in the small rooms so people better be in the main room. A
guy named Jan gave me some money to burn him copies of the previous Hamburg
shows. I will include this one as well.
20:50 Wow.. Mantric Muse played a great set and people
really seem to enjoy it. I guess there are about 35 people here. Sounds was
very good but a lot of bass. I recognize quite a few people from the last
Hamburg show including one of our biggest fans, Kirsche and his wife.
Set List: DMU, Nanoid, Wobbegong Wookie, Cinope, Sinbad
Søfareren, SFunx
23:30 My back is killing me. I think the concert was pretty
cool and people really liked it. Room was totally full of people (44 paid) and
we had some good dynamics, starting quite slowly. Magnus played both synths and
guitar. Seems we sold a few copies of the new record, etc.. Michael did not
play the bass tonight, maybe tomorrow. It was a really cool concert and we all had a good time. A good first start for the tour...
Mantric Muse |
Øresund Space Collective |
Day 2
8:30 I woke up at 8:15 to charge the batteries in my
recorder and get some water. Some of the guys stayed up quite late after we got
back to Sabine’s smoking and drinking. Klaus, Michael, Sabine and I are all up now. Totally grey and cold and people are outside having coffee and smoking. I slept
like a rock last night and my back is feeling better so far today but I quite
stiff. I hope I can get a massage before we have to sit in the van for 5 hrs to
get to Koblenz. We need to try to leave by 11.
10:15 We heard the Great Khan record and everyone is up now
and in a good mood. We sorted out the money and merch from last night. We also
discovered that the entire band on this tour are left handed except myself!
10:55 We are about to take off now. We had a great breakfast
with coffee, tea, juice, bread, cheese, meat, etc.. We will start the drive off
with me as the driver and we will hear the Carolina Funk- First in Funk
1968-1977. A great compilation. In fact, the entire series Florida Funk, Texas
Funk, Midwest Funk and California Funk are all great.
14:15 We are near Osnabruck now and still at least 2-3hrs to
go we estimate. We heard the new Shpongle, Lynryd Skyryd’s first and now the
new Rovo-System 7 CD called Phoenix Rising. It is great. My back is aching. Magnus took over as the
driver now. The drive has been pretty smooth but it took nearly an hour to get
out of Hamburg.
15:50 This drive is really taking much longer than we had
expected and we had originally said we would go to the local promoter’s house
for some food and then to the venue but we might have to go straight to the
venue. We will see. It is very foggy on parts of the drive but good when we
listen to Frank Marino- Tales of the Unexpected. A great record. Magnus is driving as fast as he can. People
are going to be really hungry and we have no time to stop and buy some food. We
picked straws (cigs) and Sebastian lost so he is the driver after the gig
tonight. One has to stay sober. The only non-drinker, Michael, also does not
drive! What luck!
16:50 We had to stop as people were too hungry. We heard
Irish Coffee in the last drive. Cool band from Belgium from the early 70s.
Traffic is still very heavy. This drive is going to take like 7hrs to go 450km.
Just too many people on the roads in Germany. It was not this bad 10 years ago
when I toured with Gas Giant. We could do a drive like this in 5hrs max.
18:15 We arrived at Andreas’s finally in a suburb of
Koblenz, cool small old village, dropped off our sleeping stuff, ate some pasta
with gorgonzola sauce and then we had to go pretty fast to the club. Sound
check was supposed to be at 18. Show is supposed to start at 20.30 so it will
all be quite a rush tonight.
20:30 Everything has been a huge hassle today. Turns out we
could multitrack record the show so that was great and Mantric Muse will play a
bit longer set as well. No many people yet (maybe 15?). We had to park the van
like 500m away from the club. Andreas is a very cool guy and relaxed, which is
good as it has been a rough day.
21:05 I did an introduction for Mantric Muse. There were
only 7 pre-sale tickets and 21 total tonight, it seems.
22:00 Mantric muse are such an amazing band. Wow.. what a
set. They changed the set a lot tonight and blew me away. Audience seem to like
them as well. The sound is very good and loud in this club. Sound guy was great
and super helpful with everything.
Mantric Muse |
01:00 Far out show.. People were pretty tired and I had some
issues with my modular synthesizer. I will need to check it out. The small
crowd seem to really like it a lot. I think we only played about 100mins
tonight. All seem to go well with the recording. Jocke was killer on the bass
today. Sebbe seem to be off today and stuggling but still played some cool stuff. magnus just blew the roof of the place with super psychedelic and awesome guitar. Ola was also cool and I could hear him tonight.
01:40 Was a late night. We sold about 140€ in merch. It was
only 21 paid people, so we will have to take a reduced fee. We can’t do this
every night or we will be screwed at the end.
Day 3
10:00 Sabine and I seem to be the first people up. I suspect that when we got back at 2 that people were smoking and drinking until late. I had a shower. It is totally gray again. No sun for the 3rd day now. It will be about a 5hr drive to Jena. Get in at the club is at 17. We need to hit the road by 12 at the latest.
11:15 We sorted out the money with Andreas.
12:51 I start off the driving everyday which is good for my
back, etc.. so… We just had some lunch, as there was no breakfast. I had a
couple of muesli bars and some juice and tea. We had to go back to Andreas’s
house 2 times after we had driven away. First we left a box of records and then
Magnus discovered he forgot his guitar after we were 1km away a 2nd
time. Shit….
16:00 I drove for like 4hrs. We heard Causa Sui- Pewt
Sessions, Buffalo-Volcanic Rock, Antibalas- Dirty Money, and ØSC-The black tomato as we
discussed trying to have a jam on Black Tomato Pt 3 at one of the gigs. We will
see. It is cold out and there has been some valleys with massive fog and snow
on the hills. People are in a good mood after a joint. Seems we are about an
hour away and people are in a good mood and joking around a lot. I will have a
beer now since someone else is driving the rest of the way.
17:30 Black Night in Jena is a cool club and really nice
people. Mark is super cool and this gig tonight is there 2 year jubilee and he
is so happy we are here to play. We were able to get the backdrop up again
tonight and Mark has some cool projections as well. We did not have any lights
or projections for the first two gigs.
18:15 All is set up for soundcheck now and the soundman is
setting up all the mics. We got some fresh fruit, 4 cases of beer, water, etc…
we joked we can’t leave until we drink it all! They allow smoking in the club
and backstage room (no window or ventilation at all so I basically can’t be in
there, as nearly everyone in the band smokes!).
19:35 Soundcheck is over and the sound is good but really
loud in this club. Wow.. Mics are set up and they will also do multitrack
recording. Sabine video taped the show in Hamburg and will also do this show
(only OSC). People are in a good mood. I got a back massage and feel much
better.
Mantric Muse (Ola and Michael) |
21:30 About 40 people and I met Favio from Brazil who is an
artist who says that ØSC inspires him a lot. Cool to meet him. I will dedicate
a jam to him later. Mantric Muse played a killer set again. Massive sound
tonight. Soon space time…
Set List: DMU, Sinbad Søfareren, Sfunx, Azur, Wobbegong
Wookie, Cinope, Encore: Nanoid
Dr Space and magnus |
Søren on the drums |
01:00 Very fun night. Backstage people are really getting
blasted and super high. We only have to walk 50m to the sleeping place but the
guy is passed out at home and we can’t get in now. We only have 3hr drive
tomorrow.
Day 4
10:00 We did not get into the apartment until 02:15 and the
guy was really sorry. It was their 2 year anniversary and it all got a bit
carried away. We left the gear locked in the club so we could load it in the
morning. We agreed to meet at the club at 10:30. Still totally gray. No sun for
the 4th day. I think the gig last night was very intense. Both
guitar players were awesome. Magnus is always amazing. There were some issues
with the multitrack recordings though. The high hat mic is missing for two
songs of the MM set and they had to replace it. Not a big deal as I am sure you
can hear it on some of the other mics. For ØSC it is a bigger problem though as
the kick drum mic died so half the concert it is missing. Unlikely we can do
much about that. I am curious how the audience
recording is. I just had a shower am pretty relaxed but did not sleep that well
compared to the night before.
11:25 We stood outside the club for 45mins for the owner to
show up (11:15). It is cold out but we are finally loading up the van and then
we will do all this GEMA stuff and have some lunch (breakfast) and hit the
road.
12:52 We are finally on a real highway after all these small
roads and some construction. We heard the new Hawkwind- Spacehawk CD, which is
basically a cool compilation of new and old stuff, different mixes and rerecorded
tracks. Pretty cool. We are now hearing the Taylor’s Universe-Evidence CD
again. Good way to easy into the day as people partied pretty hard last night.
I think tonight will be the highlight of the tour for sure. Café Cairo is so
cool and the crowd at the Psychedelic Network is amazing. A short pee and smoke
break and we are on the road again. GPS says 1hr 10mins.. This means we are
there about 14 and can maybe hear some of the Papir set!
Mantric Muse and ØSC in Jena |
Papir with Nik Turner |
18:00 Papir played a killer 2hr set and Nik Turner joined them for the last jam. People really seem to like them as well. I have seen them many times but never play for hrs.. Kozmik Klaus’s visuals are amazing!
20:00 I am a bit stressed as we only have about 1hr to set
up all the gear and soundcheck before Mantric Muse and OSC start. Camera played
a cool set, very hypnotic stuff.
Camera |
Day 5
What can I say, just a totally amazing festival. I think we
played a strange and very spaced out set. Magnus played a lot more synthesizer
than at any of the shows, leaving Sebastian alone on the guitar but he was
pretty creative. The crowd was into and as usual it took a while but then we
really played pretty cool. It was strange when Nik appeared as I did not even
see him and then there he was! He played with us for about 50mins, which I
think was too long but people seem to like it and said he played his best of
the entire festival with us. We will see. It was a bit to short only playing
less than 2hrs but that is the way it goes.
Anyway.. a great tour and despite my back issues I also had
a great time and we are all such good friends for so many years how and playing
music together on and off for nearly 10 years. It will be 10 years in April
this line up started jamming!
Nik Turner |
Thanks to everyone who came out to see us and bought merch,
etc… See you again one day… Peace..
http://www.mantricmuse.com http://www.oresundspacecollective.com
http://www.mantricmuse.com http://www.oresundspacecollective.com
Sunday, November 24, 2013
Siena Root and Øresund Space Collective- Loppen, Christiania Nov 19th, 2013
This was one of the rare occasions that ØSC decided to take
an opening slot. Due to the improvised nature of the music and that it takes
some time for us to warm up (and we prefer to play for 2-3hrs), we rarely
except offers to open shows. Siena Root have been our friends for many years
and former and current members have also played with us live and in the studio,
so when Anders asked us to play, I accepted. It was really shit weather
outside, with a light rain when Sabine and I loaded up my Christiania bike with
the gear and headed off for the club. The band I had assembled for the night,
were mostly there already as well as Anders, the local promoter and his
assistant, Rhona. The mood was good but we were a bit wet!
The guys
in Siena Root were due to arrive about 18:30 and we had decided to share the
backline to make everything go a bit faster on this Tuesday night. I was not
sure how many people would come out. We had some food, set up our small merch
stand, and got some of the synths ready and that was all we could do before
they arrived. They did, we greeted each other and they got down to business
quickly and all was set up and people were just hanging out until the show
started.
ØSC hit the stage right at 22 (this is the earliest any band can start at Loppen due to the restaurant upstairs) and we played until 23. The line-up tonight had never played before and since we did not have a proper soundcheck, we decided for a slow space in starting only with the drums and bass and then the guitars and synths would enter. This actually worked very well, if you listen to the recording. The first jam was really spacey, the 2nd Rune came up with a heavy riff that was cool and we were all really coming together. The 3rd piece was a bit like early 70’s Miles Davis but more psychedelic. The last piece, Rune nearly stole the opening riff from the song Black Sabbath. I even did a partial vocal part and would have done a few more lines but I could not get the attention of the soundman, who had turned off my mic. The closing piece was 20mins long and had great dynamics. I was happy with our set and about 40 people were present, I guess. If you want to hear the show go to this link: http://www.archive.org/details/OSC2013-11-19.FLAC
We did not mess about and took our gear off straightaway and within 40mins or so Siena Root was ready. I took a picture of them just before they hit the stage (see right) and they were off with their usual western intro theme. For the past few years they either open with an instrumental or a sort of jam. Never totally free form but a structured jammed out intro. This is the first tour without the original guitar player KG, so it might feel a bit strange for the original members (Love and Sam). Anyway, the band were playing fantastic and I have to say they are jamming out the songs with longer solos than ever before and the new guitar player, he reminds me of Warran Haynes and Dickey Betts, so he is very good. They played their new single, Conveniently Blind, which was supposed to arrive in physical form for the tour but was delayed, which they were not happy about. The set is mostly tracks from the first record and new material, with no tracks from the bands records with Sonja or their last studio album. Pity the crowd was so small for this amazing band. There are a lot of bands in Sweden and Europe playing this 70s style rock but few are anywhere near as good as this one. Don’t miss them on this tour. They are smokin’! Great visuals and sound as well so thanks to those folks…
Set List: Intro Jam>Conveniently Blind, Words, Waiting
for the Sun, Sabbath Shuffle, Fever, Little Man, Between the Lines, Kitchen,
Long Way, 7 Years, Rasayana, Coming Home
Friday, November 22, 2013
NYMF- From the Dark (Transubstans TRANS115-666)
NYMF
are back with their 2nd record. This band features the fantastic and
intense vocalist, Niklas, who also sings in the Graviators. This CD features 13
tracks. The band is from Sweden and features two members of the Graviators
(Singer and one guitarist) as well as guys from other Swedish bands (Seeds Of Cider and
Trollfnask). The record features a number of different styles mixing
stoner rock with a more metallic and Black Sabbath like sound at times. The
opening track, Fear of the Doom (after the intro track) starts fast with some
double bass drum but then slows down a bit but the track maintains a mostly
metallic sound. Possessed and Blackcore slows things down and reminds me a bit
of Candlemass in the slower parts. Evolution Blues is a longer track which
reminds a bit of Pentagram with a more metal sound than 70s sound. Thin Ice
starts as a ballad before gaining in intensity with huge double bass drums and the
mid-section has some nice guitar solos (which there are far too few on this
record). Postmortem, is a mixture of slow and faster riffing sections and a lot
of evil vocals. Drive starts with a Kyuss like riff but then never returns to
that territory really but stays in a stoner rock like vibe until the middle
section where it chills out and there is a beautiful guitar solo and a more
laid back singing style (Niklas can be pretty intense!). Lucifer takes the
Crown again reminds me of Candlemass (recent). In the Name of Vlad slows things
to a doomy pace and has a killer riff but they don’t stick to this for very
long. Later it slows down in a heavy riffing section which is followed by a
guitar solo to end the short song. Your Soul is Mine is pretty intense and
reminds me of King Diamond a bit. The Greatest Burden is probably the most
melodic track in some ways on the record but still intense. Like a Giant Orange Sun features Tommy from
Dozer on lead guitar and ends this very intense record. One of the best tracks as well. Phew…
Sasquatch- IV (Small Stone Records SS-138)
The
US stoner rock band, Sasquatch is back with their 4 release. I think I only
ever heard the first one.. Anyway, I have to say this record really rocks like
a MF. The Message is a really cool melodic opening track but he just sings, I’ve
got a message, just way too much. Started to drive me crazy… Eye of the Storm slows
things down a bit but has a nice stoney groove that almost reminds me of some
old Warrior Soul, in a way. Sweet Lady starts with a pretty aggressive wah
guitar before the massive power riff kicks in. Keith (vocals and guitar) plays
a really cool solo and after that the intensity is raised a notch. Great song. Money
has another strong riff and killer groove. Smoke Signals is 7½ mins and the
band get really psyched out for a long section of the song…. Wow..get stoned…. The
next three tracks are shorter 3-4mins and often Keith reminds me a lot of the Stone
axe vocalist (Dru) and some of these songs could also be like a stoner rock
version of Stone Axe at times. Wolves at my Door has a foot stomping and a bit
more bluesy approach, while Me and You is another strong track with a Kyuss
vibe but without the massive bass and passionate singing. Corner has a cool
power riff and groove when it picks up the pace in this under 3min track. Drawing
Flies is the closing track and the longest at 7mins and 41 seconds. A fucking
good record…
Insider- Event Horizon (Andruid Records AR001)
The
instrumental Italian band Insider is back with their 2nd release in
less than a year after quite a long break between releases. I have been a fan
of the band since the old days when they released Simple Water Drops. This new
album features 8 tracks in 58mins and some pretty intense heavy riffs and a lot
of double tracked guitars. The line up is the same as on the last jam record
called Vibrations from the tapes with Marco Ranalli on guitars and synths,
Stefano di Rito on drums and Piero Ranalli on bass. Escape Velocity starts
things off with a pretty complex track with a lot of different time changes and
heavy riffing and some nice chorus, harmony guitars before the main guitar solo
section hits, where the wah guitar comes on heavy and in multiple layers til
the faded end. Magnetic Field Lines continues in the same complicated mode but
with an even more heavy riff until the solo section when some synths come in
and he goes into a very beautiful melodic solo. Gravitational Mass slows things
down to a more melodic almost doomy feeling (except the sound production is so
clean). The guitar solo comes in early on this track. I really like the riff
section on this track and marco goes into a killer guitar solo while keeping
the melodic one running underneath. Great stuff. Jet starts off with a Slayer
like riff and some synths. Eventually Marco comes up with another really killer
riff but returns to this harmony guitar theme. Synths come in here and there.
Event Horizon is an acoustic track with some really spaced out sounds in the
background. This leads into the Expansion of the Universe track, which is a 9
min 6 piece suite. It starts with some really nice melodic guitar and a synth
line, which later switches but the focus is really on the cool guitar playing
of Marco in this really complex track. The next two tracks are called Black
Hole and White Hole. The first track is slower and features some repeated
guitar lines and melodies in it’s 8min journey, with the synths coming every
minute or so. The riff gets a big heavier at the end and he kicks in the wah
pedal as well. I like the opening riff, which he doubles up that starts the
last 6min track, White Hole. The synth that repeats is pretty cool as well. This
is quite a different record than the last jammed out one the band made and
features a lot of really complicated tracks. Enjoy.
The Golden Grass- One More Time 7” (Electric Assault records ASLT-05/Svart SVR237)
The
Golden Grass is a new act from the USA. They are a three piece. The singer
reminds me of the guy from Kadaver! The band also plays 70s rock as well. Anyway,
this is a pretty cool track with cowbell, a nice melodic theme but also some
heavy guitars and riffs as well. A real classic rock track. Tornado is about a
woman and is a slow heavy bluesy song. The last section the band really takes
off and the track really develops goes in a different direction with a short
solo and a lot of changes. There is some acoustic guitar in the outro and
echoed vocal that closes the B side. Just a small taste. I for sure want to
hear more.
Hogjaw- If it ain’t Broke (Swamp jaw beamusic 2013)
Hogjaw
are a southern rock band from Arizona and this is their 4th record.
They write some damn good songs and mix up more melodic southern rock with more
hard edged Clutch like stuff but without that killer swing. They also write
some damn good lyrics that people can really relate to as well. One More little
One starts things off with a foot stomping shuffle that reminds me a bit of
Skynryd. Built my Prize is a melodic mid paced track with a decent groove. It
is with Am I wrong that this side really starts to cook. This track is a great
and features the other vocalist (drummer?). Dig the riff on this one and it
reminds me of Cactus until the more laid back section with the dual guitar
solos. Shiny Brass and especially Cold Dead Finger are cool songs and
especially the hard rocking uptempo CDF track. Side B starts off with The Wolf
pt1 and pt2! It starts with a nice heavy guitar riff and a short guitar solo
straight away and then into the main track. The part 2 is a long and very cool
spacey guitar solo section. The Devil’s Eyes is a more bluesy track and now the
vocals have changed (I think it is the drummer Kwall). ’83 is a very fun song
and has a long about listening to Iron Maiden on your Walkman! I was totally
into Iron Maiden in 1983! The last track is sort of silly, Beer Guzzlin’ ‘Merican
and for sure my least favourite on the record but I am sure this is a great one
live and the audience totally get into it. Glad they mix some serious playing
and some fun as well. I liked their last record better but maybe this one I
have just not heard enough.
Monomyth- Monomyth (Burning World Records BWR032)
Monomyth
are a new Dutch band with the drummer from 35007. It is all instrumental music
with a lot of mood and drive. the band are a five piece with one guitar, bass,
drums and two synthesizer/keyboard players. The double LP features 6 songs and
side A starts off with the track Vanderwaalskrachten. It starts slow and spacey
but then slowly builds up and Thomas plays a very cool and intense guitar solo
and later the organ takes the lead as it builds up more and more intensity.
Great start. Vile Vortices reminds me a bit of Pink Floyd the way the organ and
slide guitar is played and the spacey vibe in the track. Then, it gets into
stoner rock and a heavy bass line licks in and everything is lifted to a higher
level. Wow.. The Groom Lake Engine starts off very spacey and has a really nice
slow build. This is really space rock, slowly building a bit like My Sleeping
Karma, not in sound, but vibe. Almost predictably, the bass kicks in again and
the whole track lifts in intensity and they just take off. First the guitar
solo which is intense and quite short and back into the main theme again and
repeat the cycle once again with more added organ as it evolves. Now, the next
phase of the trip begins with a slow build and this one just stays in the
spaced zone for nearly the entire track and then you get quite a surprise when
the organ starts to raise the intensity. The guitar plays some freaky stuff
that is panned around as are the synths at the end. Spaced out! Now side C and
D are each full album side track so get ready. Huygens slowly builds and has a
cool third stone from the Sun inspired guitar section as the rhythm section is
very steady and repeatitive supporting the long solo section. Then it goes off
into some sort of almost like mainstream rock style music and then it all
starts to distort and get nasty and build up with the same riff and theme
repeated over and over and over and over. I wish they would break out into a
killer guitar or organ solo but they don’t until the very end when it all
reaches climax. Spaced out ending. Particles has no sound to start the side for
like 30 seconds and then slowly the synths and stuff start to fade in, The
sound is very far out to start and then suddenly clears like the cloudy sky
turning blue. It takes a long time as the synths just get totally spaced out
before the rest of the band decides to join in 10 mins later and then it is a
very simple drum and the intensity of the synths builds up and they add more
and more delay and until it is just reverberating. If you are fans of Monkey 3, My
Sleeping Karma, Colour Haze, you will for sure dig this record. A very cool debut.
Thursday, November 21, 2013
Hipiersonik- Czarna Skrzynka (Falani 2013)
Hipiersonik is a band
that I saw opening for Hawkwind in Liverpool. They are a 3 piece band of
saxophone, drums and a guy with a sampler. A lot of stuff is sampled. The guy
on the sampler also provides the spaced out vocals. The music is a mixture of
techno beats, mostly melodic spacey rap or vocals but with some cool drumming
and great saxophone. Some nice piano is featured on some of the songs as well.
It is quite a mixed back of electronica. The 10th hidden track is
actually a short pretty cool version of 21st century schizoid man by
King Crimson. Check out their web site. The CD comes in a cool 5 ¼ inch floppy
disc! If any of you remember these?
Circle and Mammifer- Enharmonic Intervals (Sige Records SIGE-020)
I
think a lot of people are wondering just what the hell this collaboration will
be like. Let’s just say it is like a mostly instrumental trip to the dark side
of the mind, where evil things dwell, where people are tortured, exposed to
extreme violence, visual madness, and insanity. There are 7 themes spread over
the 3 sides of vinyl. I would not recommend a CD version as you would most
likely kill yourself or someone else if you heard the entire 3 sides without a break.
Be careful as this is very dangerous when consumed, in even small quantities.
You have been warned!
Aerosmith- Rock for the Rising Sun DVD (Japanese Edition)
Aerosmith
is one of the bands that I grew up listening to in the early 70s and I have a
real soft spot for the bands early albums and they play mostly that material to
this day. I think this must be one of the few bands from the 70s that play
mostly improvised and jamming on every single song (on this tour!). On this DVD
they rarely play a single song like the records, every song is played with long
guitar solos, having fun, not worried about being super tight. This concert opens with Draw the Line (1977)
and they are just jamming.. Love in an Elevator, while having a very poppy
chorus has a pretty heavy riff and both Joe and Brad just do great and pretty
long solo sections. I skipped Livin’ on the Edge but Hangman Jury was played
even though they did not rehearse it and they mix in some backstage banter
about Steven wanting to play it even though they did not rehearse it. Throughout
the DVD they mix in some backstage banter, pics and interviews of the band in
and around Japan, etc. between most songs. All but a few of the songs are shown
completely. No More no More, Mama Kin,
Toys in the Attic… every song just jammed out all the time. I got the Japanese version from my friend
Hatsumi and it is well worth it with nearly 30mins of extra songs (One Way
Street, Lord of the Thighs (Best song on the DVD with a great long Brad
Whitford solo), Train kept a Rollin’ and Lick n’ Promise!). I don’t think there
is another band from this era that plays so much early material and just jams
out every single song and not just sticking to the formula. Which bands still play 3-4 songs from their
first record? Not UFO, Scorpions, ZZTop, Deep Purple, none… Great DVD… A huge
surprise and I had not expected it to be that good.
Friday, November 15, 2013
Hawkwind and Hipiersonik- O2 Academy, Liverpool, UK Nov 9th, 2013
I had to see Hawkwind on the
Warrior on the Edge of Time reissue tour where they would perform the entire
record in it’s entirety. Sue and took the train to Liverpool and spent the
afternoon on the Magical Mystery tour, which took you around to all the
historical Beatles sites in Liverpool, then we had a nice Indian meal and
headed to the venue around the corner. The place is upstairs and holds a bit
over 1000 and it was quite an intimate small place to see Hawkwind. Stage was
pretty small for them and all their dancers. When we came in about 19:45, a
band from Poland called Hipiersonik was just starting. It was a mixture of some
pretty cool jazzy, electronic, GONG like stuff with more electronic stuff with
rapping that I did not really dig so much (like the video I shot. The song
before was really great). I think they played about 45mins. The 2nd
to last song they played as a short crazy version of 21st century
Schizoid man (King Crimson) and that was really cool.
Hawkwind hit the stage just
before 21 and it was really hot in this place now, even though it was quite
cold outside (8C). They opened with an old Calvert poem and straight into
Master of the Universe. The soundman was working on the sound as it was a bit out
of balance, with Dibs standup bass being the loudest instrument drowning out
all the guitar. Dibs voice was clearly hurting after 5
nights in a row and was sounding pretty rough but hanging in there. Steppenwolf was next and a big surprise for me and Dibs played the main frontman (well, he is basically the voice of Hawkwind these days) and actor. The Hills have Ears is the best song off Onward, so that was cool to see. The dancers and the projections were really cool but they guy doing the main lights had these blue lights going straight out into the audience and it totally bleached out the visuals and was quite annoying. Southern Cross also off the Onward record and then they went directly into the complete Warrior on the Edge of Time. It was great to hear this classic record live and I enjoyed it so much but I was surprised they played it even shorter than the studio version with shorter versions of Magnu, Opa Loka and others. These are great songs for the band to jam and space out but they didn’t at all and infact there were no
guitar solos yet in this concert. The beautiful one that is usually in the Goldn void that Dave plays was replaced with a short sax solo! Kings of Speed was so fantastic to hear live and they all had a fun time playing it. If I have one complaint besides the jamming is that Dave hardly sings anything and when he does, Dibs voice is also singing and much louder than Dave. Since Dave is taking a lot of breaks and hardly singing, he has been sort of sidelined, almost. Sentinel, also from Onward, and then into Silver Machine with Richard singing lead. Two more from Astounding sounds (Reefer Madness and Assassins of Allah, with a long electronic section). The show ended with a new version of Utopia (the only song they played from the 80s (with no songs being played from the bands catalog from (1985-2012). The show ended with Seasons (also from Onward and also on the new Spacehawks CD). Great concert. Hawkwind still kicks some ass live and provides a great visual and musical show.
nights in a row and was sounding pretty rough but hanging in there. Steppenwolf was next and a big surprise for me and Dibs played the main frontman (well, he is basically the voice of Hawkwind these days) and actor. The Hills have Ears is the best song off Onward, so that was cool to see. The dancers and the projections were really cool but they guy doing the main lights had these blue lights going straight out into the audience and it totally bleached out the visuals and was quite annoying. Southern Cross also off the Onward record and then they went directly into the complete Warrior on the Edge of Time. It was great to hear this classic record live and I enjoyed it so much but I was surprised they played it even shorter than the studio version with shorter versions of Magnu, Opa Loka and others. These are great songs for the band to jam and space out but they didn’t at all and infact there were no
guitar solos yet in this concert. The beautiful one that is usually in the Goldn void that Dave plays was replaced with a short sax solo! Kings of Speed was so fantastic to hear live and they all had a fun time playing it. If I have one complaint besides the jamming is that Dave hardly sings anything and when he does, Dibs voice is also singing and much louder than Dave. Since Dave is taking a lot of breaks and hardly singing, he has been sort of sidelined, almost. Sentinel, also from Onward, and then into Silver Machine with Richard singing lead. Two more from Astounding sounds (Reefer Madness and Assassins of Allah, with a long electronic section). The show ended with a new version of Utopia (the only song they played from the 80s (with no songs being played from the bands catalog from (1985-2012). The show ended with Seasons (also from Onward and also on the new Spacehawks CD). Great concert. Hawkwind still kicks some ass live and provides a great visual and musical show.
The
Awakening, Master of the Universe, Steppenwolf, The Hills Have Ears, Southern
Cross, Assault and Battery>The Golden Void, The Wizard Blew His Horn, Opa-Loka,
The Demented Man, Magnu, Standing at the Edge, Spiral Galaxy 28948, Warrior On
The Edge, Kings of Speed, Sentinel, Silver Machine, Reefer Madness, Assassins
of Allah Encore: Utopia, Seasons
Thursday, November 14, 2013
Taylor's Universe- Evidence (Marvel of Beauty Records)
Multi-instrumentalist,
Robin Taylor is back to take you into Taylor’s Universe. It is quite a few of
the same folks with Karsten Vogel on sax and bass clarinet, Klaus Thrane on
drums but also some new blood with Thomas Ulstrup on synthesizer solos and
Claus Bøhling on guitar solos, with Robin playing everything else you hear,
except Louise Nippers voice on Red Afternoon. This is the first new records
from Claus Bøhling since his work with my band, the Øresund Space Collective
and I have to say he is still in top form! This album was recorded between May
and October 2013, so they put it out weeks after finishing it! The CD begins with the long and moody track,
Buildings, which features a number of solos by all those involved. The end gets
really freaky before coming back to a normal sound and beautiful outro solo by
Karsten. The synth solo prior to the freaky section had a really cool sound.
Red Afternoon is next and starts right off with the dreamy voice and keyboard
and bass before the others join in. This is a pretty cool track with a really
slow pace and just drifing bass that I like. Great balance between heavy and
lightness. Claus plays a killer solo at the end of this track. Great wah
guitar! Marie Marolle has a mysterious theme, almost like it should be in a
Dario Argento movie but then it really changes when Claus kicks in around 2½
mins. They return to the strange theme that it started with eventually. Karsten
comes in later than on the other tracks. Forever and a Day features a lot of
great guitar and synths solos and they just trade back and forth over a good
portion of the song. Karsten is playing a much smaller role in this track. For
those of you out there that are not familiar with Taylor’s Universe it is
basically an instrumental jazz rock outfit with a bit more improvised flavour
than Robin’s other work. Robin composes, arranges and produces all this records
but he leaves a lot of space for all the other players and actually rarely is
the one taking the lead, except on the bass on this CD, even though he also
plays guitar, keyboards, flute and percussion and other things you can hear. I
like this stuff a lot…
Pale Moon (Private Release Finland 2013)
Pale
Moon is the solo project by Mikko (Ex-Dark Sun) from Helsinki, Finland. He
plays all the instruments and it also features some guest including his brother
and Nik Turner from Hawkwind! The opening track has some spoken words and very
deep base. IT is a really cool and spacey number and reminds me of the more
electronic modern day Hawkwind stuff or the White Zone material. A Lion’s Roar
is a short track with a long guitar solo and is sort of like a simple rock jam
with himself. Down by the roadside by the River starts with a long sample by a
guy who saw a UFO. The groove in the background is really cool and groovy and
spacey but the music is mixed quite far away. The Colour of your Blood is a
really old track featuring Mikko’s brother on vocals and Nik Turner on sax and
flute. This is from a one track demo I got from Mikko back in 1998! Anyway, it
has all electronic drums and percussion beats (as do all the tracks, I don’t
think Mikko plays a real drum kit). It has a slow moving mood and feel to it
with cool layers. Hard to describe. The Illusionist features Dark Sun
guitarist, Jurza on guitar and Mikko on vocals. The programmed drums are more
prominent and the music quite dreamy. Jäba Tuli has a really cool vibe and this
single repeated drum beat (maybe drives you a bit crazy!) but some cool guitar,
cryptic voices and shaking percussion that drives this one… I think he should
have added some more layers of stuff in the middle though as I kind of lost
interest but what a super cool track. The colour of your Mood is nearly the
same as the Colour of your Blood without Janne’s vocal and again featuring Nik
Turner. It is basically like a reprise with slight differences. Moon rising
reminds me of Set the Control for the heart of the sun but without any drums.
Very spacey and a cool bass line and guitar with layers of floating synths… I
wish it was longer. Featherfall is primarily and effected guitar in layers and
Mikko on spoken words (by his wife). The CD ends with Palaemoon elegans (anyone
a biologist?). This one has a unique percussion rhythm and floating synths at
the beginning and then there is some hand drum playing and just a real ethereal
feeling to this ending track. You end your trip in a happy place. This
available for 5€ at bandcamp or a limited edition CD-R version in 100 copies
you will also be able to buy soon.
Saturday, November 2, 2013
Föllakzod and Papir- Stengade 30, København, Denmark 11/1/13
I had not expected to
go out to a show tonight and did not know anything about this but a Greek
friend tipped me off and sure enough a lot of my friends (Tom, Sven, Jens,
Christina, martin) were all there as well. When I arrived a little after 21,
the Papir guys were just standing around and we talked for a bit and the band
from Chile had not even arrived yet! I had hoped to be able to bring them the
new ØSC record, that they also all played on but it sadly did not arrive today
as expected.
Around
22 Papir hit the stage and it was clear they had a lot of young local fans and
some family into see them play. They opened with a new song, which was
different from the new one they played opening for White Hills in September.
The set was a cool mix of old and new and included one jam towards the end of
the set. The crowd was really into it and the sound was excellent and not too
loud. The guy doing lights tonight actually had a good idea what to do and did
cool lights for Papir. The last 4 shows I have been to it has been a guy who
basically just knows how to turn the switches but understands nothing about
doing lights in the dynamics and mood of the band. Great set, about 50mins
long.
It
took a while, perhaps 45-60mins before Föllakzoid was set up since they arrived
so late. There was still a lot of people and the mood was good and the lights
blue with a lot of fog for almost the entire show. He had used a lot of red for
Papir but none for this band. Anyway, this 4 piece band from Chile (young) play
very repetitive groove music in the vein of Neu, Mazerati, Wooden Shjips, White Manna, Monomyth, etc. I can easily describe one of the songs and this will cover the
entire concert as every song was nearly the same with slight differences. The
guitar player is very good at playing cool delay guitar. The drummer and
bass player really groove well together. The bass player does the singing in
this sort of effected laid back way, very much like the Wooden Shjips guy does
and it is mixed into the music in quite the same way as well. The synth guy
makes mostly drones and repeated loops of sounds in time with the groove. All
the songs are probably around 10mins and take you on this smooth cruising
journey. They really need projections to go along with each one. I thought it
was cool but the band simply never reaches any peaks in their music and I
really need this to take me to the next level. They just cruise with some
change in dynamic and when they do build up a bit they never head into a killer
guitar solo or a massive freakout or anything to reach a crescendo. They played
this song from their new record called Pulsar and it has a groove a lot like You
shouldn’t do that from Hawkwind but they never really took it to the higher
level. Still I enjoyed the concert and with visual projections it would have
been even better. No idea what the set list was but from hearing their vinyl, they
played all of these songs and for about 75mins.
http://www.papirband.com
Subscribe to:
Posts (Atom)