Void Generator is a pretty cool Italian band. I think I have
reviewed everyone of their releases. This is a new 4 track release recorded
live in the rehearsal room (pieces selected from several different years).
Sound quality is quite good but the vocals are a bit low and the drums a bit
loud at times but overall you hear everything well. The CD starts off with 40 Kiloparsecs. The
drummer has a lot of energy on this track while the guitar players are not
quite sure where to go, it builds up an interesting tension before getting it
feet around 4mins and taking off. They vocal kicks in around 5mins and is very
hard to hear. The jam fades out around 7
mins. Sleeping Waves has a much heavier guitar riff that is repeated over and
over and some spacey synth layers in and brings a calm to the music as a new
melodic guitar thread kicks in while the other guitar freaks out a bit and the
track gets pretty spaced out. It gets back in control around 8 mins and really
builds and the first guitar solo kicks in, while the deep bass vibrates the
floor. 13mins jam. I am the Brave starts slowly with a pretty heavy guitar and
then the 2nd one kicks in, later you can hear the synths a bit
better as it becomes a bit psychedelic as it builds in intensity. It comes down
around 7 mins and the synth dominates. I like this section. You can hear the
guys taking a little in the background. I wonder what they are saying? You have
to know Italian. It says pretty laid back until the end. The last track, Calvary is 15mins long and
you hear this one from the beginning when the band is just starting the jam. It
is not faded in like the other pieces. A nice melodic guitar line sets the
scene for the others to follow. This track is more intense and there are some
short guitar solos and strange sounds here and there. It is a bit all over the
place at times. The CD provides a nice glimpse into how the band probably creates their tracks. Enjoy...
This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
Sunday, October 22, 2017
Saturday, September 30, 2017
Sherpa- Tanzlinde (Sulatron Records ST1607-2)
Sherpa is a new Italian band. The band plays a very calm
but cool sort of music with a bit of eastern inspiration. The CD or LP features 10 tracks. The label
neo-psych has been attached to them but not sure how accurate that is. The CD
starts off with the track Dune. It has a beautiful and melodic guitar line and
features Fabiana on vocals. He has a cool voice. Musically it starts to build
up with some nice layers but the melodic thread drives the track. Dreamy at
times. Robert W (presumably, Wyatt) is next. Lilla provides the vocal on this
track. Slow, mellow, open sound with some nice use of chimes. Dubinuska
features vocalists Aya and Ila and is a dreamy piece also, especially the way
one of the voices is mixed. The bass, drums and guitar build this one up in a
cool way. Reminds me of Ole Lukkoye a bit. The title track is next and features
Fabiano again in this eastern inspired track.
One of my faves on the record.
Sherpa starts with a cool guitar line that is repeated over and over as
the vocals and drums start to enter the scene. This track is a little
psychedelic with the way the vocals are mixed and one of the more rocky songs.
Magnetic White Tree is more mellow and dreamy but slowly builds up. Nice
keyboards on this track. Loto starts with some slowly faded up effected guitar
and drony dreamy keyboards. The vocal is very lightly sung in an airy way.
Later the female vocal is sung like the Middle Eastern singers from Lebanon or
Israel. Big Foot has a start and stop
rhythm to start and you really expect the band will rock this one out and a
killer jam will start but it does not happen. It ends with a sample in Italian.
Cool vibe though. Of Coke and Steel has a bit more drive to it before the dream
vocal starts again. Ti builds up quite nicely but sounds a lot like some of the
other songs with repeated guitar lines. Plot is the final track and starts with
the keyboards, hand cymbals, spacey vocals and a bit of mountain glow.
I have really grown to dig
this CD after 5 or so listens despite it not having any guitar or synth solos
and quite short songs. My wife really likes this album a lot. Nice album to
hear at home. Unless the band had amazing visuals, I think I would get pretty
bored live with no solos and this mellow spacey vibe all the time. The band has
a bit post rock styling without the huge dynamics (peaks and valleys).
Der Blutharsch and the Infinite Church of the Leading Hand- What makes you Pray (WBR 53)
This pretty cool Austrian group is back with a new
release. They release quite a lot of limited edition music. I really liked their last record that I heard Joyride quite a lot. This new one comes in a
slipsleeve with a postcard, small insert and sticker. It features 9 tracks and
is pretty spaced out at all times. It is not as guitar heavy as the last one. It (Shine?) starts off with a echoy sound and very
repetitive fuzzed out bass, slowly the guitar and synths enter the soundscape
but still quite in the distance. I have
no idea what the order of the songs is. They are listed on the insert in a
circle but where do you start? I have no read out on the CD player either. so I
have to just describe it for you. After 5 ½ mins the dark vocals start (both
male and female). We are about hit the
10min mark and you should be scared by now.
The tripp ends at 12mins. Next track has a reverberating bass and some
acid guitar mixed in the background (sounds like it is in another room) as it
builds. Dark, psychedelic stuff. This one has more of a cool groove going but it dies out at 3mins. A dark synth pad and drums drives you deep into the next place deep in the earth but with a little bit of a country twang guitar to start off. This one is a bit more happy. The female vocal is quite buried on this one but present. Reminds me of Ego's (White Hills) vocals a bit. The drive is quite intense on the next track and the female vocal more understandable. A nice acid rock guitar solo is thrown in along the electronic bass and drum beat. Now we enter into deep space. This track has a very deep bass that shook my floor but is very mellow and spacey. Cool. The next track about 3mins, was a fun one with a nice guitar. A distorted guitar and piano starts off the next track to change the mood totally. The final track has an industrial feel to the start as a synth gradually makes an appearance followed by the voice (Time passes by). Strange one.
Fans of the dark stranger
White Hills stuff will really like this album. If you are deeply religious, this might make you think about praying..
Nate Hall- The Center of the Earth (Self Released)
Nate Hall is the guitar and singer in US Christmas, a US
heavy space rock band. Although it has been some years since US Christmas had a
new release, Nate has released a lot of stuff on bandcamp and a few smaller
releases on tape and other formats. He has one official album under his name,
which I really loved. He was recently in need of money so I splurged and bought
the entire discography on bandcamp which included this new full length album.
At the moment this is only available digitally but a CD release is in the
works. He album has 13 very diverse
tracks. Night sky Humming starts off
with a beautiful track. Acoustic and electric guitars. Purple sounds like Nate is playing a banjo.
This is a very slowly picked track. Nice and short instrumental. Bitter World
of Dreams combines electric and acoustic guitars as most of the tracks on this
album. Holy Spirit is a sort of tormented sound with a powerful electric guitar
complimenting the acoustic guitar and lyrics. Winter Fingers is a slow and
beautiful number and one of my faves on the record. Because they are Strange features some sampled
words by an Indian chief and is a dreamy experimental track that leads into the
title track, The Center of the Earth, which features the banjo. Always is a
strange drone experiment track with some a dark trippy feel to it, the way the
vocal sits inbetween the drony parts. Wet to slip this Skin features electric guitar
and a pretty straight vocal. A solo is overdubbed after the vocal section,
which returns afterwards. Circling Fall is back to acoustic guitar and electric
and a nice laid back vocal that is double tracked or is that someone else?? Til the waves has a nice multilayerd and
spacey vibe to it and some electric slide guitar with some delays along with
the strummed acoustic guitar. Love the singing on this one. If you like his
other material, you will enjoy this. Nate is true to his style but also not
afraid to step out of the box and do something strange and unexpected.
Recorded and Mixed in August
2015 by Travis Kammayer at Fahrenheit Studio, Johnson City, Tennessee .
Words and music by Nate Hall. Additional sounds by Travis Kammayer . Sampled
words of Chief Dan George/Thomas Berger. Mastered by Brad Boatright/Audioseige.
Art by Hush
Vokokesh- Bon Voyage, Mr. Tripp (Pure Pop for Now People FOR12)
This is a limited edition CD-R made in 60 copies. It
features 3 studio tracks and 3 live tracks (2015). Huxley’s Deathbed starts things off with some
chaotic noise and then the guitar takes the lead and spaces out. There is some
really crazy effects on the guitar and sometimes makes you wonder if something
is wrong with the CD-R!!!! Later it
slows almost to a stop a few times and there is like a TV program or something
going on in the background and they noodle about. We are now over 10mins into
the strange trip. The title track is a
slow and spacey one with some cool delay guitar. Later Richard really plays a
cool guitar solo. This track also goes well over 10mins. The last studio track
is Take the slow Train, which has sort of strummed, noisy guitar to start and
then the bass and drums kick in. Richard really kicks ass on this one and I
love the bass line that drives the groove. The live tracks have a similar sound
production and are more or less the same, that being, instrumental mainly
guitar workout, freakouts with a solid rhythm section. Joe got his Gun is an
instrumental version of Hej Joe! If you
are a fan of Richard Franecki’s guitar playing then you will really love this
one.
Subscribe to:
Posts (Atom)




