Sunday, May 11, 2025

Boris das Beiras, And If?, Mattheiu Ehrlacher- RIJU, Coja, PT May 10th, 2025

I know the guys Boris and Matheiu from the Portuguese Noise rock band, duassemicolcheiasinvertidas. They were both doing solo shows about 30mins drive away so I decided to check it out. I saw Idiotechue play there in April and this place has some serious sound issues but it was ok with just a solo artist and I sat up front as well.  

It is 5€ if you are a member (12€) a year or 7€ if not. There were 12 people when I arrived and they were all having dinner and some had their kids with them. Mostly English people (I think).  There was a big PT football match on TV so they did not expect many people, sadly.  

Boris das Beiras started about 2020 and played about 10 short pieces of music in 45mins. His main instrument is an electric bouzouki guitar (Greek instrument).  He had a table with a small keyboard that he made drums sound keyboard melodies and then he used a guitar pedal looper and then played guitar over the top. He also used a cassette player and mixed in spoken word or used it just to add some effected sounds to the mix. He also had a Roland SH201 that only used very briefly 3-4 times during the set to add some bass or synth arpeggios. He also occasionally sang using some strange octave pitch pedal that made his voice very strange. Very unique!!! I enjoyed it...  

Boris das Beiras

And If? was a performance art piece by the organiser of the show, Bernardo Chatillion. This was very special. He had a microphone and said and did weird stuff and then he played something thru the PA and was crawling around, writhing about or dancing around the room while we all stood in a circle around him. Very special and it takes a lot of confidence to do this. Kudos to Bernardo. This was very creative and strange but everyone was smiling and into it except the kids who thought this guy is really weird and strange!!!  

Mattheiu Ehrlacher (blow my mind until the light becomes sound). He played more or less one long piece in 3 sections as he never really stopped the sound completely.  All his music was made with saxophones, clarinet and voice with many pedals and looping devices. He started off with an amazing 30min piece that just transported you to another world with the deep drones of the baritone sax and then layers of vocalisations and lead sax. It was very intense at times and then it would come down to almost silence and build again. After that he transitioned into 5min piece made only with his voice. He created a drone with some deep vocalisations and then different layers in midrange and then more high pitches.  This lead into the final piece which was more mellow and spaced out and the clarinet was featured a lot more, especially at the end. Wow… A very unique artist. I would love to record his solo stuff in my studio.

  

https://matthieuehrlacher.bandcamp.com/

www.matthieuehrlacher.com 

Monday, May 5, 2025

Gouveia Art Rock Festival, PT May 1-4th, 2025

This was the first time I was able to get a ticket to this event!! It was sold out last year by the time I figured out how to get a ticket and when they went on sale as their web site is never updated and they only use Instagram and Facebook. Now I know..

Anyway, it is 35mins from my house to the venue, not too bad a drive. I arrived about 1530 and met Andrei and Vladimir and their friend (the later two I met at the festival last year when I came to just see the place and attend the music discussion at the library with Steve Hogwarth and David Cross and some other musicians. 

The first act was a solo woman from the US named Courtney Swain, this was apparently the 3rd time she has performed at the festival.  She did 4-5 numbers with some pedals, loopers, and other devices that she triggered, looped her voice and sang over the top with some beats.  She was very good and clever but it was just all a bit too mainstream radio like music (just stranger). She then switched to the grand piano.  Large lady with a great powerful voice.  She was for sure not Prog, closer to Pop but I guess you would call it Art Rock.  Not my thing. I guess Lauri Anderson would be an inspiration here…

30min break and then Blank Manuscript, a quartet from Austria was next.  The organ, keyboard player was the main lead singer and soloist and awesome. They only played 5 songs in 75mins, really cool long tracks with lots of different parts. The lead guitar player when he soloed was part David Gilmour and part Steve Rothery!   Very good band. They played a couple of songs from their first album at the end of the set. They got an encore even though we were over time. 


Now there is a for 2hrs and 45mins with no music. They close the venue and open it again at 21! I think this is excessively long break and tomorrow no music for 3. 5 hrs!!! 

At 2130, next up was a jazz-classical music duo Rita Maria and Filipe Raposa. Very talented musicians and what a voice but I was tired and an hr of piano jazz was not really what I wanted to hear. This also was not Prog at all.  They are total pros and amazing musicians.   I understand that this is a very expensive festival to put on and they need some simple solo or duo acts that do not cost a huge amount to fill in the schedule.  Quality music.

Finally, only about 15mins late, the Monika Roscher Bigband hit the stage.  She looked stunning as the conductor and guitar player and this 18 member (13 horn players, several also played flute and one didgeridoo) band.  What really cool songs and she introduced the stories for most all the songs. The 2nd one was a really long one about Witches and was super cool. I was really captivated. In fact most of the songs in the set came from her album, Witchy Activities And The Maple Death. Firebird, 8 Princesses, Taste of the Apocalypse.   Amazing 90min concert just a pity you could not hear here guitar playing at all. She played a lot of great air guitar though!! Ended about 00:45 and I was very tired. I wanted to meet them and buy the CD but I still had another 35min drive home.  Very fun first day..


I also hung out and spoke with half the band, Oiapok from France in the long break. They play tomorrow.

Day 2

Damn, I was tired today and in a hurry having to stop at the post office and only got a 45min nap.  I arrived 10mins before Mad Fellaz (Italy). I only heard a bit of these guys and in the end I really liked them but the drummer when he got intense, which was nearly every song, he just destroyed the sound and he drowned everything out and you could not hear the band. Pity the soundman was not really on top of it. Snare was louder than the rest of the band!!! Crazy fucked up..  they were a 7 piece band (2 guitar, 2 synths, bass, drums and female singer). They started and ended the show with instrumental songs. Band bass player was really funky but the band was not particularly which made for some interesting contrasts. The female singer, wow.. She was amazing and really charismatic. It was mostly like 80s Jazz fusion stuff but well done. 


Oiapok (France), were next and wow. They blew me away.  What an awesome band but difficult material as they all had sheet music!!  They opened with a very Frank Zappa inspired track and then headed off in their own direction.  What a unique line up of instruments: Harp, Zylophone, Marimba, trombone, trumpet, bass, drums, guitar and female singer. They built up into some really cool intense parts that got the bass player off his chair (he composes all the music) and they rocked. I wish the guitar player would have had a bigger role some how. He only did one guitar solo and the rest of the time seem to be following the notes of either the horn players or marimba, lesser the harp. Maybe it would become too messy if he had his own parts?? He could for sure play more solos. Music was great and very composed though, not much room for improv. Amazing performance.  I think for many this was going to be hard to top!


Now, there was a fucking 3hr break with nothing going on. I went to eat with Samuel (Portuguese music fan, who I had met at other festivals, super nice) and a guy named Rod, who came over from the USA. We had a nice dinner and chat about music. All very nice and interesting people. 

Motyk (Belgium) were a 5 piece (two violins, percussion-drums, acoustic guitars and standup bass) band. Some of the members had played this festival before in different band configurations. They played a sort of world music inspired by all kinds of ancient music.  Very good and interesting tracks but sadly, I was so tired I did not really enjoy it as much as I could have.  They played much shorter songs compared to the other bands.  The highlight of the gig though was the amazing djembe solo. Wow. I was just blown away and captivated by that. The amazing sounds and textures he got out of the drum was incredible.  The encore was the highlight for the Mexican guitarist, Pablo, where he really shinned. Great band but they played 20mins over so now it was going to be really late and I was so tired. 


Wobbler (Norway), who played here some years ago and has not had a new album since 2020, were next. I think people had high expectations for this heavy prog band. They were damn good but sadly did not play or even hint about having a new material.  The lead singer also played some acoustic and electric guitar and he was complimented by bass, drums, lead guitar, violin and the massive keyboard set up (real mellotron, Fender Rhodes, Mini moog and Hammond).   Very dynamic and interesting music with lots of guitar and organ solos but few violin spots. She mostly just complimented the rest in a good way but was hard to hear at times. They were at least 2x louder than any of the other bands, Finally we got some volume. Some thought it was too loud but it helped to keep me awake and the drums from the stage did not drown out the band!  Great stuff. They played 85mins and no encore as it was already over time by nearly 30mins.   Excellent day of music.


Day 3

Rolf Van Meurs (Holland) was totally amazing and captivating. Wow..  He is a classical acoustic guitar player but does very unique cover versions of songs. This I did not know but wow. His set was amazing and included songs by Supertramp, Queen, Deep Purple (Child in Time), and 4 by Pink Floyd (Hey You, Shine on you Crazy Diamond, High Hopes?, and one more from the Wall. He was great.. Very original in the way he not only played the guitar part but bass and vocal parts as well. Clever. Awesome.. I spoke to him afterwards and he was so friendly. 


Siril Malmedal Hauge & Ketil Mulelid (Norway), are a duo from Norway and were totally different from the very traditional piano jazz of the first day. Siril, was a great singer in the singer-songwriter-pop vein but Ketil. he was from another planet! He played all those melodic parts that fit the vocal melody but added loads of interesting and complex notes in and around the melody in a very clever way.  Normally, I would have got very bored with just piano and pop oriented vocal. He also would reach into the piano like on the 3rd number, Craze, and made the piano sound like a stand up bass. He did it again in the middle of the piano on another song and it sounded like acoustic guitar, nearly..  Very clever player.  I was surprised…  They played a Randy Newman song, Molly Drake (Nick Drake´s mom) and one more but the rest where their own songs. 

Poil Ueda (France-Japan) is a very strange and interesting collaboration between traditional Japanese music, story telling and far out Prog (a bit Crimson like at times).  Sadly, the sound was just awful most just bass and drums, and a bit of her voice. We could hardly hear the guitar and keyboard at all. I had to go to the sound man 2x and it improved a lot after the 2nd time but still very poor job and ruined the show as you could not appreciate the unique chemistry and music at all. Sad..  Nothing more to say.. They should have ben the highlight of the day.


Pete Roth Trio (UK) is a new project featuring Bill Bruford on drums. I had not seen him play since the YES- Union tour so this was fun. He is so good. What a technique. As for the music, the players are all awesome and it was mixture of covers and originals.  It was pretty standard jazz guitar trio stuff with a few bass solos and drum solos and nice guitar work from Pete. He was also funny when he spoke to the audience. A very nice 65mins set with great sound. 

Richard Thompson (UK) was the closer but I was too tried to stay and see him after 3 late nights in a row. I hope that he was good.. 

Day 4

Rolf van Meurs was doing a set of classical guitar in the town church at 1630 but I decided to rest and only come for the two bands in the evening. It has been raining all day. I arrived about 1730. Met with Roy, he said that Rolf¨s set in the church was really good and all classical guitar. 

Zopp  (UK), what can I say, these guys were a class act and fantastic. One of my fave acts of the entire festival for sure. A bit of a pity we struggled to hear the guitar but the rest sounded great. Bass and drums still dominant though. They remind me of Camel, when they played more uptempo stuff. Very good band with drums, keys, guitar, bass, and sax.  There set was the same as the live CD except two new songs!

Set List (from the bass player): You, Before the Light, Uppmärksamhet, Endless Decrees, The Living Man, V, Toxcicity



Big Big Train (UK), were the main headliner for the festival and had their full show. They were very happy to be playing in Portugal for the first time and this was the last show of their tour. He also mentioned that last week they recorded a new album.  I was very impressed with the musicians in this band as everyone is a multi-instrumentalist and most played keyboards at some point and some string instrument. The lead singer, he played acoustic, electric guitar, keys and even drums!! Impressive, Musically, they had some really great pieces but others that are just too close to pop music to me with la la la singalongs, etc..  They are trying to bring complex proggy music to the mainstream and seem to be doing well but I am more of prog purists and hate pop or mainstream music, with the catchy singalongs and chorus.. Anyway, they played the Last King of England, which is one of the only songs I had heard by this band and I loved that. My normal seat was 5th row on the hard right but there were a lot of seats free in the middle so I moved over to the 4th row middle but had to leave there after 2nd or 3rd song as when the band got loud, you could not hear the guitar at all. Nothing.. so I moved to the back and the sound was much better. The bass player used these MOOG bass pedals and that was very intense low end that must mudded up the sound, very badly in the front, not so bad in the back.  Anyway. over all a great performance and they are amazing players and people enjoyed it a lot. 

This was an amazing music event. It was not a pure prog festival which I think is good. A lot of diverse and all amazing acts (except one). It runs great and sure some things could improve (lower drums for the rock bands), I was on the right side and the sound is not good on the sides in this venue. Drums, bass are too intense and vocals too low usually. Not for all bands, some bands sounded great (usually had their own sound people).  I spoke to some people next to me and they sit in the same place every year more or less here on the right side row 4-6 and normally all the bands sound great so something was very different with sound system or people this year. They were also very disappointed. If you can not make good sound on the sides, do not sell the tickets!!

A few comments, a shorter break for dinner so the shows end an hr earlier for those travelling and who are not night people. They could update the web site when tickets go on sale and not just 2 days before the festival when the show is already sold out!..  Look forward to next year!!

https://www.gaudela.net/gar/index-en.html  

Friday, April 4, 2025

Surya Kris Peters- There´s light in the Distance (Kozmik Artrifactz)

Kris is back with another fantastic album. It was released digitally in Jan 2025 but the vinyl is out at the end of April. It starts off with the moody track, Karmic Repeat,  driven by an intense bass synth and drum track. The track really gets going when the great lead guitar kicks in and off he goes.. What a great heavy riff on this one..  Crushing the Walls of Silence starts with a modular synth loop and then some guitar is played over the top before the drums kick in. This one goes thru several shorter movements in its evolution. Great riff. Life is just a Dream is a slower piece with some beautiful guitar playing.. The Darkness they Prefer is a haunting piece of music.  Embrace Your Enemy changes the mood a lot and is mostly synth based but then some killer guitar kicks in. Lovely feel on this one.  If he did not play so beautifully, I would say, leave the guitar out but damn… Mode Azul has a nice bass line that everything builds off of on this journey.  What a great hypnotic riff that comes in here and there inbetween the solo parts.  A Night In The Desert (and a long way from home) starts with a bit of a storm and then the main song fades up with another haunting moody guitar riff and the main groove and drums really starts to pick up as does the intensity. What a great melody and feel on this track. Red Satin & Pearls starts with synths and drums with a nice use of repeated synths (sound a bit like horns) and melodic guitar lines as it builds in energy and then dies out. Let's Wait Out The Storm closes this masterpiece..  Lovely way to end the album…  There is also a digital bonus track called Tough Love.  Some of this stuff could easily been the template for later day SBE material so if you are a fan of SBE, for sure check this awesome album out. What a great talent this man has…. 

https://electricmagic.bandcamp.com/album/theres-light-in-the-distance 

https://kozmik-shop.com/ 





Thursday, April 3, 2025

More Experience- Horizon of Events (Old Hippie)

This very cool hippie inspired group from Poland are back with another album of eastern inspired 60 psych influences.  The CD starts with Deep Cosmic Kisses. Sitar, tabla, positive lyrics and a nice vibe to get you started.. It ends with a slow spacey drone. Some really nice synth kick as well as organ as the journey progresses. Later a more intense guitar (backwards) to start and it slowly builds, and swirls in layers before we finally come to an end. Track 2 starts with some acoustic guitar, pad synth, some effected voices in the background a dreamy vibe. It  Wait a Minute is like a light piano jazz track with a laid back vocal but the twist of some sitar playing and odd sounds here and there. Later it builds up with a crazy lead synth and wicked wah guitar!  After this section there is a very trippy vocal section and some tablas start to come in and it becomes a bit more percussive.  A sort of vocal mantra! Later there are throat singing, strange field recordings to end it. Track 4 starts with some voices, mixed very low that slowly build up and the music begins. The band gets quite spaced out on this one after a bit of jazzy stuff, they disappear into another world for a while with vocoder vocals, and other stuff.. It is a very interesting and diverse album with long tracks that evolve a lot of the avg 10mins or so...  Cool album folks..

http://moreexperience.bandcamp.com 


http://facebook.com/more.experience.music 



I Spy- Toca da Raposa, Travanchina, PT March 29th, 2025

I Spy is a local rock band and lead by the charismatic, Andy Shades. He is a UK singer, songwriter who writes all the songs and leads this group. The core of Larry on Keys, Andy- Acoustic guitar, Sax, all vocals, and Gino on Bass has been set for some years and I usually see them at least 2x a year.  They are a fun band that mix high energy music with more laid back songs. A lot of political and ecological and other themes are sung about in his songs.  The band mix a bit of jamming as well especially when Andy grabs the sax.  Tonight they had a new lead guitar player (maybe the best they have had) and a drummer, that has played with Andy in the past. Usually it has been Rob.. 

Anyway, a lot of new songs that I had not heard were played this night. On this day they released the first studio material that has been recorded over the last 3 years in Andy´s studio.  See link below. 

I think all the 4 songs on the EP were played. It was a big crowd of about 80 people at Toca (it was opening of the new camping season) but only about 25 inside the bar where the band playing and really focused on the band. They were really good this night. I did not see the full set though.   A very good local band. Always good live.. Too political for some people but Andy was in a good mood and having fun and no sound problems to get him angry!!  Fun.. saw lots of friends..

https://andyshades.bandcamp.com/album/we-are-the-monsters-ep 


Monday, March 24, 2025

Astral Magic- Dance of Destiny (ASTRAL051, 2025)

This is album is going back to the early roots of Astral Magic with Santtu playing all the instruments (guitar, bass, synths, vocals, drum programming) except a MOOG solo on track 2!  The album features a nice intro piece before kicking into the heavy space rock of the title track.  One of the heavier riffs to appear on an AM record in a while. A slightly different singing style as well for Santtu. Great track. Distortion in Space Time is an instrumental over 8 mins and a nice space rocking track as well. Uptempo, melodic, more complex drums and then the master Hawkwind like riff and organ kicks in and fades out as you head off into another realm. We Plunge into Chaos slowly builds up after the opening solo. A nice laid back vocal on this mid paced melodic track, reminds me of Dark Sun, Santtu´s old band. Transmission Psi is a short synth interlude with some spoken words leading into another 8min epic, Slumber of the Ancient Ones. 

It is a slow one with a cautious vibe. It slowly builds and evolves with a lot of keyboard solos as it creates this hypnotic state as you eventually reach the end. Epic track..  Zep Tepi features some lyrics by Crystalinks and kicks the pace up a bit with a great bass line and groove. Love the synths on this one… Words are delivered as a spoken word in parts and then sung.  Last Days of a Time Cycle ends this record in a laid back manner.  Great job Santtu… 

http://astralmagic.bandcamp.com 




Wednesday, March 19, 2025

Astral Magic- Echoes from a Star Cluster (featuring Shane Beck (ASTRAL050)

This is a compilation CD of tracks that have appeared on Shane Becks´s numerous solo albums (5 of them) as well as some unreleased tracks (8 total) that they had made but not appeared on any other release.  The unreleased title track starts things off with a solid drum beat, vocoder synth and other layers in this melodic slow paced song. Santtu also does some chorus vocals. Voice of the Cephalopod, also unreleased, keeps the pace slow and is almost totally synth driven. This Reflection fades up and is very spacey and has some potent lyrics by Shane. When Planets Copulate is a more dark rocker with drums, bass, guitar and changes the mood completely. 

Psychedelic Butterfly starts with the vocals a bit more upfront while there are some spaced out shit going on in the background. This Sphere of Magic (already released) is next and a slow mysterious track lead by a mid eastern lead synth and then the drums kick in and things are to groove.  Cool song. Exploding Sun is a slow rock track with a highly effected tripped out vocal at times. 4 out of the 6 tracks that end the CD are from Shanes previous solo releases. If you are a fan of Astral Magic with Shanes spoken words, then this is an essential collection. 

http://astralmagic.bandcamp.com 



Astral Magic- Strange Vibrations (Altered States) Astral052, 2025

Santtu is back with another limited edition CD-R (33 copies only plus 5 other copies with 2 bonus tracks) of what I would say is one of his most trippy and experimental albums.  It also features  Shane Beck on most of the tracks doing spoken words (sometimes with a lot of effects). It features 9 tracks and starts off with the short trippy Adinka Codes. Earth Coincidence Control Office is lots of synth sounds and a bit of cosmic insanity and then the synth arpeggios bring some normality and then the highly effected voice enters.  Quite psychedelic.  Transforming Chaos into Order has some echoey guitar in the back at the start but is another spaced out synth landscape for the most part. Weirdness Overload is indeed super tripped out and strange. Solarwind, has a bit of wind but your attention is mostly drawn the repeated synth. Eventually, some electronic drums drive the track forward with a more melodic synth. Shane eventually comes in. Solid State Intelligence is another really tripped out one. Longing for the Stars changes to a happy mood and is something totally different than anything else on the album! Shanes vocals work well on this one.. Altered States goes back into space again with a bit of a mysterious feel and trance like state is induced with Shane floating in and out. Great track. Wow.. Strange Vibrations ends this trip with a more melodic laid back track. A solid release.

http://astralmagic.bandcamp.com 




Monday, March 17, 2025

Dead Shrine- Cydonia Mensa (Kozmik Artifactz)

Dead Shrine is a side project of Craig (Arc of Ascent, Lamp of the Universe) and more similar to Arc but with a bit more of a stoner influence while Arc is more in the SLEEP vein.   This is the 2nd album under this name. 

Track List:

1. Serpents of the Sun 4:27
2. Cydonia Mensa 5:41
3. Scared Light 4:40
4. Monuments 6:19
5. Temple of Saturn 5:06
6. Redeemer 4:07
7. Evolution Garden 4:27
8. Illumination Through Knowledge 7:51

Serpents of the Sun starts with a very doomy riff and then a groove kicks followed by a john Garcia inspired vocal. The title track is next and slows things down quite a bit. Nice guitar parts and backing vocals as well as this just is slow and stoned. Sacred Light continues in the same vein with powerful vocals in perfect sync with the heavy groove. Monuments has a slow fade up and then a riff you have heard on a lot of doom records, kicks in but this one is a bit more distorted and nasty and the chants at the beginning remind you of LOTU.  I feel like Craig already wrote this one before?? Temple of Saturn is more of stoner rocker but with the same fuzzy but less doomy guitar.  Redeemer is another mid paced heavy fuzzy, groove rocker.  Passionate vocals, stoned groove. Love the nasty wah solo on this one. Evolution starts off with acoustic and electric solo guitar in a more tranquil space, similar to Lamp of the Universe space. Illumination through Knowledge starts with some organ and synth sweeps before the monster riffs kick in. This one has a lot more going on and is a bit more spacey and a great way to end this record. 

If you like your stoner doom (hard to do something totally unique in this genre now) straight forward killer riffing, great solos, powerful vocals and cool lyrics, this is a a great adventure. Only 200 copies on vinyl so get it soon…

https://deadshrinenz.bandcamp.com/

https://kozmik-shop.com/ 


Minerall- Strömung (Sulatron st-2501)

This is the 2nd release by this new jam band from Germany, featuring Dave Schmidt (Sula Bassana). The background on the album was written by Dave:


“On January 27 and 28 in 2023 three musicians from three of the most creative psych bands in the german-speaking world came together for a session at Buffbergen Studios in Hanover. Birthdays were celebrated and hours upon hours of music were recorded.  Through a broad spectrum of common ideas, the jams range from hard riffs to spherical ambient soundscapes and enchant not least through the interplay of these 3 experienced musicians. From these sessions Sulatron released the debut LP „Bügeln“ in January 2024, which has sold out already.  And on the new long player „Strömung“ we can hear other jams from that weekend the band has selected, and Sula mixed them nicely for 2 sidelong journeys.”

The album starts with the 19 min Strömung. A steady groove is laid down and off we go, first with a quite simple melodic guitar line and then more delay and effects is added and then the energy level of the rhythm section takes it a notch up and Marcel starts to space out more on the guitar and move from rhythms to lead mode and this takes you on a journey for quite some time…  What can I say, they have a great chemistry and it is a good ride.. Welle starts off more spacey in another 20min album side track. It gets really droney and trippy in the middle.. Far out..  Another cool record….

The band is:  Marcel Cultrera (SPECK): Guitar, fx, spaceecho, Tommy Handschick (KOMBYNAT ROBOTRON, EARTHBONG): Drums, and Dave Schmidt aka Sula Bassana (ZONE SIX, INTERKOSMOS, ex ELECTRIC MOON etc.): Bass, fx, Synthesizer. 


https://minerall.bandcamp.com/album/str-mung 

htttp://sulatron.com 



IAH- V (Kozmik Artifactz)


I have to say I have never heard of these guys before by they are an Argentinian instrumental band but based on the name of the album, I guess this is their 5th release.  The album features 5 tracks between 6 and 10mins and then one short one. It starts off with a spacey intro that leads into Kutno.  After the intro, the riffing and drums really build up with a heavy riff but sort of dreamy post rock like keys work giving it this melodic element. After a while, the heavy riff ends and they go into this very spacey melodic section.  Madre de los Superiois follows with some heavy riffs and melodic elements and a bit more of a slow headbanger with a bit of a guitar solo at the end. Yaldabaoth has a spacey guitar intro with a lot of reverb and then the heavy shit begins! The riff is quite simple and repeated a bit (miss a guitar solo).  Sono oi is a short piece that reminds me of Mono.  Sentado en el …. brings back the heavy dramatic riffing and grooves.  This one really kicks ass though when it takes off. Great riff and groove. It has a quiet ending though.  Las Palabras y el Mar starts a bit dark and mysterious with some keyboards. It has a lot of dynamics this last track. Although, I am not a real fan of this kind of music but these guys do it really well. I get bored with the pad keys and the same sort of melodic lines that are used by many bands in the genre. It is really hard to come up with something totally unique today especially in this genre. If you like these bands like My Sleeping Karma, Pelican, etc.. you will most likely dig this.. Good job guys..

The band is:  Juan Pablo Lucco Borlera: Bass , Mauricio Condon: Guitar & Synths and José Landín: Drums. 

https://kozmik-shop.com/ 

https://iahbanda.bandcamp.com/album/v 


Sunday, January 26, 2025

Antero Mentu- Näin unta Kaukaisesta Maasta (ECD2024215)





















Antero is a multi-instrumentalist (primarily a guitarist), who has performed on a number of albums since 2005 but this is the first under this own name. ‘He is backed by: 

Jesper Anastasiadis- Contrabass, Amanda Blomqvist- Drums, Percussion, Markus Pajakkala- Flute, and Otto Eskelinen- Shakuhachi, Keyboards, Percussion. Antero plays Guitar, Electric Guitar, Keyboards, and Percussion.

The music is instrumental and the album divided into 6 pieces. The first part is quite a dark and driven by deep horns, bells and other percussion.  Part 2 kicks in with bass and drum beat and then a lovely guitar takes the lead. Next the flute comes in for a solo. Lovely music. Part 3 is more uptempo and driven by the guitar and percussion rhythm. Later the flute with some nice reverb on layers in nicely the hypnotic playing. Part 4 is a bit spacey with some nice piano and more simple themes explored on the instruments (guitar, piano, deep bass). IT slowly evolves. This is a super cool track. I just sort of disappeared into the music and vibe. Part 5 is very spaced out and dreamy...  The last part features some lovely guitar to start and then the bass, drums and other instruments float in as it builds.. A very relaxing and exploring musical experience. Enjoy.. The digipack has a booklet with some really interesting artwork. The rest of the info is all in Finnish so I have no idea what it is about… Lovely album…

The digipack has a booklet with some really interesting artwork. The rest of the info is all in Finnish so I have no idea what it is about… Lovely album…

https://anteromentu.bandcamp.com/album/n-in-unta-kaukaisesta-maasta 

Positive Wave- Metsälapsi (Humu Records HUMU041)


Positive Wave is an old band from Finland that has been around since 1998 but I have never heard them!  My friend Eetu sent me this CD. He did the very cool artwork for the CD. They are a 6 piece band (4 guest musicians also play on the album). Susan is the lead vocalist and has a very nice voice to compliment the music. She sings in Finnish so forget understanding it!! The album features 11 tracks ranging from the short 2 min track to the title track at over 9mins. The opening track, 1930, is a piano driven track, with a sort of traditional almost polka like feel at times but darker. Varpunen features some trumpet in this mid paced track with an almost ska feel to it. Lato is a very nice track, reminds me of Wigwam or something.. Love the middle section on this track. Great back and forth with the guitar and keys… Kupla is a bit jazzy…Ritariperhonen is a short track with just voice and acoustic guitar. Toukokuun Lokit starts slowly but then builds up with a sort of dark thread before a Hidira Spacefolk like riff kicks in and then off to the guitar solo. Love the bass line and groove on Maadisko!! Iiris starts slowly but then builds nicely. Great vocals on this track. Pelota is quite funky with some really nice horn work to compliment the piano and vibe. Dig it!! Japanin Laiva is a proggy one with lots of changes. The long title track ends this quite nice album with a more explorative nature and space start. 

I guess these guys are like prog-folk rock of sorts if I had to put them into a category but the CD is very eclectic and diverse.. I really enjoyed it a lot… Check them out…

http://positivewave.net

Lords of Form- False Light EP

Lords of Form is a group lead by Niall Hone (ex Hawkwind, Tribe of Cro). This is their most recent EP, which comes bundled with the first batch of the bands first vinyl called Our Shared Humanit out now on the UK label, Skidmark Multimedia. It is a compilation of tracks from the bands first 3 releases. 5 tracks, total.  Pity it is too expensive to buy in the EU otherwise I would love to own this one.. Here is the bands description of the LP:


Its Revolution Time – A hard-hitting opener that sets the tone with its commanding riffs and soaring vocals. A song for the times we face as a collective on this planet

Fhhu – Electronic’s build with memorable melodies that calm the listener.

Break My Gaze – Dynamic shifts and moments of emotional intensity, interspersed with improvisational sections.

23 Strangers – This track builds using synthesisers into a full blown space rock romp.

Everyone Knows Your Name – A high-energy track that is over in little over two minutes.

We Soothe, You Suffer –Over 20 minutes of improvised sonic mayhem. Drums pound and guitars sore, the cosmic nod is strong here!

Here is my take on the new EP, Krakern vs. XC, starts off with some strange sounds but then heads off into a more spacey territory with echoed guitar and vocals but a mean ass bass drive. It spaces out in the middle section with a nice melodic solo before getting a bit angry and taking another melodic turn.  Trippy song… Blood Dream is like movie soundtrack stuff and quite dark and creepy.  The Vestibule of Solitude starts quite spacey with a pad synth, some very deep sounds that shook the floor of my listening room (I have a subwoofer). Again, this could be some soundtrack music. I love it when the Tangerine Dream like synth arpeggio starts. Cool track. Stardust brings back the heavy riffs. A nice Huw Lloyd Langton like lead guitar line eventually takes the lead. It comes down as they jam it out a bit.  The current band is: Niall Hone, Jamie Gillet, George Cobbold, and Trim. 



https://lordsofform.bandcamp.com/

https://www.facebook.com/lordsofform