Multi-instrumentalist,
Robin Taylor is back with another release and it features the same crew (Karsten
Vogel, Hugh Steinmetz, Klaus Thane, Jakob Mygind, Louise Nipper) with which he
has now made many records with but the addition of highly acclaimed jazz
guitarist Jon Hemmersam, providing all the lead guitar. He is mainly featured
on the opening track, Floating Rats. The track starts very floating with just
saxophone as it slowly picks up and the drums, bass and finally guitar join the
drone keyboard and horns. At 3mins the track really picks up in intensity and
this is when Jon really kicks in with some fluid and fast guitar runs before
being counterbalanced by the horns. There is a bit of back and forth between
the horns and guitar to keep the track very fluid and interesting and then
Robin kicks in with the organ to change the dynamic. Excellent track. Munich is
the longest track on the album at 10½ mins and starts with some very happy
beautiful horns to compliment the repetitive almost Kraftwerk like synths
running beneath. Things change completely when the uptempo bass line takes the
lead and the different horn players just jam away and Robin comes back with
some organ as well. The track takes many different dynamics and includes adding
some effects to the horns. Robin plays a major role in this track. . Imaginary Church is much shorter
and features the organ quite prominent again in this 4½min track. Cruelty in
Words is a quite happy track with cool dynamics and a mix of organ and piano in
the quiet parts and the horns in the more melodic parts. Some interesting drums
(sound almost programmed, artificial) in the mid section. Jon is hardly playing
in this track only adding a couple of short solos near the end. Excellent
track. Jens in Afghanistan starts with some military snare drum theme and some
flute like horns. There is a sample of something about war playing in the
background. The theme slowly gets a bit darker in nature but returns to the
happy theme. Eventually the military snare drumming ends and then the track is
very saxophone dominated with a repeated theme by the others for a period until
the end. Sergeant Pepperoni ends the CD.
This track is 8½ mins long and starts with some spacey organ and saxophone as the
others slowly enter the soundscape. Jon plays some fantastic guitar in this
track and about half way through the track devolves into some freeform spacey
chaos before reappearing out the end into the main theme again. Cool.. Another really
excellent release from Robin and his creative crew..
This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
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