Solus is a project by Devin Thompson
(famous Canadian musician), who plays all the instruments and voice, and also
recorded, mixed and mastered it. The
album features 8 instrumental songs. I have never heard any of Devin’s music before but I was very impressed with this album. Wow.. Just a great journey! Satya starts things off with a spacey
drone, sitar and chant. It slowly builds up in layers with chimes and other
sounds here and there. A little after 1 min, the hand drums and drum kit kicks
in and then the bass line as the track grows. Eventually the guitar becomes the
lead instrument. By 3 mins it has almost transformed into a stoner rock track
but then back into the more blissful music although the Indian influences have
mostly disappeared now as we head into the guitar solo section. Great track
that gets heavy again at the end. Brahma is a sort track driven by some hand
drums, bass and then mainly the guitar and later it drops out to focus on only
the drums and bass playing and then he is back again. Great track.
Treta starts with some guitar feedback and then the main heavy riff kicks in
with some additional lead guitar to compliment the heavy metal riff and groove
but the addition of the hand drums works really well before the track morphs
into a pretty standard heavy rock riff track and then before you get bored with
that a flash of sitar to give you a jolt and then the track goes in a new
direction. Amazing song. Brahmästra is another short track with some eastern
style drums but a killer hypnotic groove pity the track was so short as I was
jus getting transported away. Dvapara changes the mood and has some really
interesting guitar parts and riffs and melodies but maintaining a sort of dark
intensity about it, especially the drumming is quite powerful at times. Around 3mins the track
slows down and gets a bit spacey before the guitar comes back and plays a
repeated line until the song fades out. Brahman starts with some birds and
Indian vocal samples and then piano and keyboards. First track where the
guitars are not the main instrument. Later on he plays some slide guitar. Kali
is the longest track at nearly 10mins and starts slowly with a delay guitar,
gliding bass line and spacey atmosphere. The track slowly grows until it
reaches a peak at about 4mins and becomes more heavy and dramatic but it is
only a tease and it goes back to the slower moody parts for the rest of the
track. Relic closes out the record and brings back some tension and a darker
feel but still with the eastern feel intact and a bit more noodling around. I
really enjoyed this record a lot but the last couple of tracks I felt were not
as strong as the rest of the record and did not emotionally grab me the way the
rest of the record did. If you like
eastern inspired instrumental music, give this one a go.
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