Hooffoot is a Swedish Prog band from
Malmö. Two of the members (guitar and bass) have played in my band, Øresund
Space Collective. This is their 2nd record and like the first, all
recorded analog and with amazing sound production. The album features 4 long
instrumental tracks. The band is primarily guitar, bass, drums and keyboards
but they have 5 guests as well to compliment things and they actually play
quite a major role on some of the tracks.
Side A starts off with the 13min ttitle track which starts with a short
drum solo. A nice melody and some dual harmonies from the guitar and keyboards
in the first section. A major change occurs about 4mins in with a shift in the
feel of the music with a more driving bass line and some violin by Samuel
Lundström. It gets really heavy and intense as well. Wow.. what a song!
The next two
tracks bring a bit of jazzy inspiration in with the addition of Göran Abelli on
trombone and Ida Karlsson on saxophone. Track 2, Pablo Octavio- 1st
Departure starts very dreamy with some Fender Rhodes piano and a spacey vibe.
The horns enter in as the bass line starts to change the mood. There are a lot of different elements to this
with some great guitar and love the way the wah guitar matched with the horns.
Brilliant and then they quickly switch gears to something more complex with
short solos by everyone and different keyboards here and there. Then a trombone
solo, sax solo, and that damn killer bass line. Wow…
Side B starts with
Pablo Octavio- 7th Sea. This
starts off fairly traditional but then is more rocking with some more
incredible bass lines. Pär is just mindblowing. Wow… Lots of great guitar playing on this track. I
should also point out they have a great drummer as well. All the musicians play
at a super high level. Fantastic. The
14min Krematorium (Arrival for Autocrats) is the last track. The keyboard and bass follow each other in a
cool way as the trumpet plays an interesting role. This is good old Italian movie soundtrack
music from the 70s.. Love it.. What a
brilliant album. I get into it a different way each time I hear it. Please don’t take 5 years to make the next
one. . This one was
recorded back in 2017, so maybe the next one is already done!! We will see.
Great work guys (and one gal) and I love the story behind the cool cover as
well.