This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
It is always a nice
surprise when some new TSM arrives. I decided to go for the deluxe version and
wow..Very rare you see such a
packaging. The record comes in thick brown polished leather sleeve that the
record slides into in a normal brown cardboard sleeve. Both have special holes
so that pieces of the artwork are visible. There is a unique painting the size of an LP sleeve and a small pouch that contains a CD-R of extra music from the same
session. This version is only in 99 copies on a orange vinyl with black
speckles.
Side A starts with the 13 min track, The Cinnamon Tree. This is a very
slow spacey track with drums, bass, guitars and keyboards. Reminds me of 1969
era Pink Floyd. You don’t know it but you Are is even slower and like a spaced
out drone track, nearly.Side B, is one
long tracks and starts off in stark contrast to the mellow side A, with a very
intense freakout! It slowly fades down into a hypnotic piece of music, that
reminds me of some of the bands earliest material from the early 90s, where
there is just some layers of strange sounds in the music as it glides along in
it’s own psychedelic way. Later on a groove sort of like Riders on the Storm,
kicks in and there is a really nice long wah guitar solo and the Fender Rhodes keeps
the vibe spacey as the bass and drums just keep a killer groove going. The end
is very spaced out, just as the record started out.
The CD-R contains one 20min track broken into 4 parts called On The Fragmentary Marches of Bells, Greeks and Dolls. It starts very spaced out with two guitars searching, bass grumbling, organ churning, sounds and trees growing, the pains of the earth, the birth of the northern hemisphere, warding off danger, bright lights shimmering, and then........... you know the rest... A band that is still trippy
and magical!
L’ira del Baccano
are an Italian progish band that I like quite a lot. This is an archive release
of a concert by the band from 2007, back when the band was called Loosin o
Frequencies. These were the first instrumental gigs. The band was quite a bit
more heavy back then but the roots of where the would head can be found.
Doomdance (hear the track below) starts things off with some pretty heavy stuff but also some nice
spacey synths mixed in as well.Susuni
di hascita Celeste starts more slowly and spacey and about 4mins in goes into a
more stoner rock directions. Not a lot of guitar solos happening, most riff
rock but lots of different feelings to the music. Later there is a synths solo
though! 875 is nearly 12mins long and a more melodic rock track to start but it
slowly gains strength and builds up. IT gets quite trippy as they go into a
freaky part and then it gets quite heavy. The kick drum mix is way too much on
this song at times and really annoyed me. Overall, the drums can be a bit too
much in the slow parts. Don Bastinao is the shortest track at under 8mins and
also a bit different, more like classic rock. They borrow a riff from someone
but I could not place it.
Tempus is an 18
min journey with some Black Label Society riffs and grooves at times but mixing
in some synths here and there as well. A lot happens in the course of this
final track on the CD.
There is an extra
18mins (which would have fit on the CD) on the download site and on the vinyl
record. 2 tracks one is a live jam and the other a track from a split digital
EP from 2010.
This is a great
document into the early days of this band. I think you will like it if you are
already a fan of the band.
Der Blutharsch and the Infinite
Church of the Leading Hand from Austria are back with a new CD/LP. This is
quite a productive and creative outfit and I have grown to quite like their
take on life. It is not for everyone that is for sure.This new one features 9 tracks and starts off
with Evil. The music starts with a heavy guitar riff on this slow brooding repetitive
track with the female vocalist, who does a mix of spoken word and singing. Wish
I weren’t Here starts with some electronics and a very spacey vibe. Slowly the
drums and bass and layers of other sounds grow, then the vocals begin. This
would fit in well at a Goth club. End of the track is quite trippy (this is one
of the longest tracks at nearly 7mins). All One has a nice guitar melody but
the layers of sounds make it quite disturbing. The vocals are very dreamy and
spacey as well but there is this underlying feeling of something not good
happening. Make me see the Light is a more rocking track with a more uptempo
but still a sort of nastiness to it. Just because I Can starts with some
electronic bass and the drums are more prominent in the mix while the guitars
very spacey. The vocal starts about 1min. A short track. My Soul rests Low has a very deep bass on it
and some psychedelic lead guitar at the beginning as the sounds is quite far
out on this song. Trippy stuff and highly manipulated. Forgotten is an uptempo
track to bring some more energy back to the dark, sometimes bleak world of the
Leading Hand. This is quite a heavy, nasty track without too many vocals. He is
Here the bass lines take the real lead in the sound mix. Bizzare end to this
song. The last track, A Lord (check it out below) begins heavy like the record began with a more
guitar oriented track. Now, we have gone full circle.
The band
recommends listening to the album only when chemically imbalanced! This band
has had some collaborations with White Hills and Dave W is listed on the CD, so
maybe he also contributes?
Last year, MP,
headed over to Wales to record their new studio album. They came back with
these three long tracks (probably more was recorded!).Deathprod is back adding some audio sounds
and production ideas as well. This is usually pretty cool.
Psychotzar starts
things off with an almost heavy metal riif.The track slowly grows and features some sections of mellotron thrown in
between. The first guitar solo kicks in after a few minutes and we have a
longer instrumental section. Hans is just totally on top of the game these day.
This band has never played better! The track has a lot of complicated sections
and dynamics but stays pretty heavy. Lux Aeterna (hear below) is a 10min track with some
depressing lyrics. It starts off with acoustic guitar and multi-layered vocals
as it slowly grows with more mellotron. Beautiful song. I really like the bass
playing and drums a lot on this track. Killer dynamics and the King Crimson
inspired freakout just totally caught me by surprise and blew me away. Just as
you think the track is over they return to the more beautiful and relaxed,
dreamy state where we started.There are
some horns played at the end of this track as well to compliment the mellotron
and melodic guitars. The lyrics are quite potent on this record.
The Crucible is an
amazing journey over the entire 20mins with some really intense musical sections.
IT starts with some Allman brothers like harmonies and energy before taking a
turn into the 21st century and calming down and taking a new path.
Love the guitar sound when the new riff kicks in half way through and the
tracks gets quite psychedelic, some of the most psyched out stuff they have
ever done!
For sure, this
album takes off where the Tower left off but it is even more intense.
Motorpsycho are really at the top of their game and making their best and most
interesting music ever. Buy it!
Fruits de Mer put on their own little festival in Wales each summer and
this is a compilation of all the bands that played in 2018.It contains 4 sides of vinyl with Sendelica
getting a side of their own.Side A
starts off with a Maddy Prior track and an original by Elfin Bow with fantastic
female voice with simple mandolin accompaniment. I had never heard of I am
Voyager 1, which sounds like a guitar duo or one guy singing, playing guitar
and making some loops. Interesting track.Stay (all the way from Spain) lay down two more rockin’ tracks starting
off with a cover of Old Man by Neil Young. This version is more keyboard lead
than the original and a bit faster as well. Rock n Roll Woman another cover
song (Crosby-Stills), is quite good and even features some fuzzed out guitar to
compliment the organ.Consterdine,
another band I am not familiar with play a track called A Spell for Leonard. It
starts with a nice bass line, strange synth-keyboard (sounds strange as it
needs some delay) and drums as this jammy starts to take form. The strange
keyboard line continues while the main keyboard takes over. Appears not to be
any guitar in this band. Strange track. Fellowship of Hallucinatory Voyagers lay
down a track called Moonlit Moorings. This is a beautiful track with bird song,
flutes, nice bass lines, and vibe. The Alain Pire Experience ends side B with a
Drifting South, the most rocking track of these first two sides and features some great guitar work.
Side C is the best side and features two long tracks by Sendelica
including Maggot Brain by Funkadelic. Great stuff. Side 4 starts with the
Fertility Cult called Cosmic Kaishakunin, which fits perfect between Sendelica
and Nik Turner. The version of Steppenwolf is quite different and parts might
make you cringe but parts of it are also great and the Space Ritual track, Walking
Backwards comes across as a great number.A pretty cool double LP and all good quality mixes from the bands.