Nate
Hall is the guitar player from the band, US Christmas but he is probably more
well known for his solo work with Scott Kelly and others. I really dug his solo
LP from a few years ago and in the last year or so he has released two cassette
tapes. One of them was really far out called Electric Vacuum Roar. Fear of
Falling has also been released on CD on the Heart and Crossbone Label. Anyway,
this tape features 5 songs and is very much in the vein of the music he makes
with US Christmas. Unlike his other tape, this is recorded with a full four
piece band (guitar, bass, drums and percussion). Heat and Sway displays that
melodic spacey semi-tortured guitar that is so present in US Christmas in this
first track. Really Cool psychedelic stuff with two different lead guitars in the
left and right channels at some point. There is some singing but that is not
the focus on this track. 77 is another
emotional track with a slow stoned groove and vocal with the occasional guitar
solo punched in the gaps. The Traveling Sun is stripped down to just Nate’s
voice and guitar and is quite an emotional story., Flip the tape over for the track, Fall. This
one the guitar riff reminds me of a really stoned CCR song. There is a very
intense guitar solo on this track. Fear
of Falling is the last track continues the slow stoney, emotional psych rock
with a focus on the heavy distorted guitar and powerful vocals. If you like Nate’s other work and US
Christmas, you will dig these new tracks for sure. Powerful…..
This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
Tuesday, March 10, 2015
Carlton Melton/Kandodo3 Split LP (Creepy Crawl 001)
This
is the first new material from Carlton Melton in quite some time and the first
release on this new label, Creepy Crawl. Kandodo 3 is a sort of Heads off shot
band, which I have never heard before. The CM side has three tracks and the
Kandodo side one long space out. CM starts off with a track called Footprints
(which you will also be able to hear on the CM meets Dr Space release due out
in May on Space Rock Productions, along with the following track, Flags). A
steady spacey track with Andy on drums and John mcBain on guitar and E-bow. It
is all about the layers as the riff is pretty simple and repetitive. One thing
you will notice is a much cleaner, less low fi production that you hear on most
CM releases. Flags is next features Brian on drums and Rich and Andy on
guitars. The title for this one is perfect, the mood of the guitar and vibe is
great as it is some sort of anthem but a slow stoned one. Chinoteague finishes
the side and features just Rich and Andy. A melodic uptempo rocker. Nice guitar
playing. Flip the record over and enter into an entirely different world with
Kandodo3 and a track called High on Planes, Drifter. Wayne- drums, keys, Simon-
guitar, and Hugo-bass. This track starts off as a spacey guitar drone with
minimal drums and bass until around the 9min point. Amazing spacey guitar and
the build up really has tension that lasts for a long time as you wait for the
explosion… Will it explode, maybe? You have to find out for yourself.. Cool
record.
Enos/Mangoo split 7” (h42 records, H42-012)
This
will be released on March 26th but go on sale on March 1st.
Only 300 copies on clear (50), black (50), clear blue (100) and clear orange
(100). It is a new split 7” with Enos from xx and Mangoo from Finland. Son of a
Gun by Enos starts things off in a quite heavy way with a real rocking groove
with a heavy guitar riff from this band with two drummer, two guitars, bass and
vocals (six guys total). Awesome song.
Mangoo,
has previously released a record on Small Stone, so you know what genre you are
getting… The Grey Belly is a more mainstream stoner rock with the way the
vocals are sung but the music is pretty adventurous with a lot of cool elements
like congas, some spaced out keyboards, unexpected jams in strange directions…
then back to the normal… A very nice 7” with two long songs..
Friday, February 6, 2015
The Pretty Things- BOUQUETS FROM A CLOUDY SKY (Madfish 2015)
This
is a very cool single CD sampler to promote the 13 CD, 2 DVD, 10”, book, box
set of the complete Pretty Things due out at the end of Feb. It is only made in
2000 copies and cost £125 plus £20 for shipping in the UK from Burning Shed. I can write more once I get mine. Anyway, tons of rare material on this box and some very cool tracks on the
promo cd to wet your appetite. This compilation features many bonus and rare
tracks including the first band single from 1964, Don’t bring me Down. A few
from their most famous record, SF Sorrow are also featured. The version of
Helter Skelter by the Beatles is really unique and I really liked it a lot.
The
material for the Midnight to Six DVD is really well put together. The 2hr
documentary has a lot of great black and white photage and they often show the
entire track, not cut it up, which is great. The SF Sorrow live from Abbey
Road, where it was actually recorded, is pretty recent and the first time they
ever played all the songs in order from the record and including the narration
by Arthur Brown and a guest spot by David Gilmour! Wow..The promotional video (13mins)
from 1966 is really far out (see below)..
The
book is filled with loads of cool pictures, concert ads, newspaper articles
about riots, arrests, etc.. and a lot to read as well. It is about 100 pages
long. Great work from the people at Madfish.. Can’t wait to get mine around the
first of March…
Shiva’s Nat- Gimme Your 7” (H42 Records H42-009)
Shiva’s
Nat, the local Copenhagen rock band is back with a new 7”, on the heels of
their highly successful debut on Bilocation Records, home to many cool Danish
acts. There is very little information on the 7” sleeve but if you go to the
web site you can find that Maria, the drummer from Cherry Overdrive (they broke
up in 2013) is playing the drums on these tracks. Side A starts off with Gimme
Your and is break from the blues rock of the first record and a pretty hard
hitting 60s (due to the organ sounds and more low fi production) garage rocker.
Powerful, raw vocal also. Flip the record over for Lovebug, a melodic sex
driven simple 60s inspired track as well with a very cliché organ line, used in
100s of songs but it rocks! It is a different direction from the band’s debut
album but solid tracks. Rock and Roll…
Slow Order- Hidden Voices (ITALY 2015)
Slow
Order is an instrumental four piece from Bologna, Italy. The CD features 7 instrumental tracks of
heavy metal rock and roll. This is the follow up to the bands previous EP
entitled, Pyramid towards Oblivion. Bokor’s
Call opens things up also includes a short slow section with some synth before
heading out with some ripping guitar and then back to some different riffs.
Someone in the band also makes some occasional evil sounding vocalizations that
you can’t quite make out. Crusade of Visigoth continues the heavy slightly more
evil doomy groovy. The mid- section is again spaced out with some double
tracked guitars and synths before returning to the main refrain. Drunken is a
track where I really noticed the intensity of the Ale on the drums. It really
comes across like he pounds the shit out of the drum kit. Garage Anthem starts
off fast and furious and then becomes a bit like Candlemass and then back to
the thrash metal. Wow.. In the Centre of the Sun is another more metallic track
with intense guitar chord sequences and a really spacey ending with some
chanting that leads directly into Pazuzu. By this point, some of the guitar
riffs are starting to sound too much a like. He Dave does throw in a bit
vibrato though on this one and some layers of synth sounds as he uses a cool
effect on his guitar before going back to the well used riffs. Sabbatai Zevi
has the occasional ringing bell to compliment the soundtrack of the end of the
world. Wisdom of the Universe ends this record with some acoustic guitar and a
sort of sitar like drone sound and later a synth drone and some percussion. A
very cool way to come down from this heavy trip.
A mixture of Karma to Burn style
stuff with more riffing metal and a bit doom thrown in with some space parts in
the middle of a few tracks. That pretty much describes the whole record.
Molior Superum- The Inconclusive Portrait 7” (H42 Records H42-006)
This is a new
Swedish band from Gothenburg that I have never heard. This 7” plays on 33rpm. It
only has one song that is split into part 1 and 2. The band is really inspired
by 70s rock and roll and but thrown in a good dose of the stoner vibe as well.
The band describes their music as Bloozy groove n' roll, the fuzzy-faced
lovechild of 70's hard rock. They throw in a touch of organ around the chorus
part of the song here and there, The 2nd part starts with another
groove and some great bass playing and a lot of riffing. There is a nice guitar
solo towards the end of the track but not much soloing in this band. A really
solid track. If you check out their bandcamp site they have 4 releases this
band.
Seedy Jeezus- Seedy Jeezus (Lay Bare Recordings 006/Blown Music 010)
Seedy
Jeezus is a high energu psychedelic rock band from Australia. This is another
record that Tony Reed (Mos Generator) has guested on and engineered. Side A
features 5 tracks while they space out more on side 2 with only 2 longer songs.
The record starts off with Shakin’ the Fuse, a totally untempo rock and roller
with really in your face, semi-pressed-screamed vocals. Wormhole slow things
down and features the first of many great guitar solos but this is by Tony and
not Lex (who also sings the vocals) as he really rips it up. Universal Overdrive brings back the high
energy rock and roll. Chasing the Dragon’s tail features some wild riffing but
a more slow and stoned solo and space out section compared to the rest of the
frantic track. Pick UP ends side A with another intense in your face track.
Flip
the record over and start off with How ya Doin’.. So far so good. I love this
track the way it has a slow build and a more relaxed and less pressed, stressed
vocal and then the amazing interaction between the guys when they space out and
jam. Tony plays some Moog Taurus stuff on this track. Later on there is a drum
solo and the band really takes off one more time. Awesome track, which you can hear below. Sun in my Car
is a really fast song with some wild intense guitar riffing as the band tries
to follow. There is a small down section but mostly just ripping guitar and
intense playing. This is a very cool release and amazing artwork by Mr.
Frumpy. If you like bands like Lecharous
Gaze, Radio Moscow, Nebula, MC5, etc.. you will dig this…
Lord of Giant- Dust Demon 7” (H42 Records H42-006)
This
is a new band for me. These two tracks are both pretty cool high energy stoner
rock anthems. Dust Demon start things off with a grooving track with some cool
wah guitar and nice delays on the vocals at the right places to make it a bit
more psychedelic. You can easily get sucked into this one. Powerful stoner
rock.. Woman is next and just classic, heavy slow stoned grooving rock music…
not much more to say.. They don’t offer you anything new but if you crank this
sucker up you will dig it….. I did…
Karma to Burn/Sons of Alpha Centuri- Split 7” (H42 Records H42-005)
Split
single with the US instrumental stoner rock band, Karma to Burn and the other
side features Sons of Alpha Centuri, a band I have not heard of. Karma kick things off with a track called 53.
Well, if you like Karma, you will dig this track… nothing really new for these
guys but a solid rocking riffing track with a good groove.. That is basically
what this band delivers… Alpha Centuri are also instrumental and have a more
clean, less low end production but some really cool intense changes in the
track with just full on forceful playing. The keyboard textures are interesting
and different in the context of the music and one might think don’t fit at all
but somehow it works.. There is some spoken words stuff at the end. Remember
side B plays 33rpm while side A is 45rpm!
Kalamata- Kalamata (Zygmatron Music ZYG3)
Kalamata
are a new instrumental three piece band from Germany. This is their debut, just
released in Jan 2015 and the band are out on the road a lot this year according
to the promotion information.. Anyway, the first thing you must know is that
this CD has to be played loud. I heard it a few times in December and never
really got into it much until now when I sit down to review it and play it
LOUD.. The CD features 7 tracks that make up one sentence when read together and
starts off with You. The intro is kind of spacey with just bass and guitar to
start before a massive change in sound as everything kicks in loud. A slow
hypnotic pace is kept as the track slowly takes shape with small changes, just
enough to keep it interesting. The band likes to change dynamics the same way
that bands like Colour Haze, Sungrazer, My Sleeping Karma do. Have starts off a
bit doomy and repeats itself over and over until the guitar riff changes to a
more intense faster riff and then back to the doom. To is the 3rd
track and like the first starts with a clear guitar stream before the drums and
bass kick in to take the free floating groove away in a more relaxed fashion as
the guitar is more adventurous and not so repetitive until the end, which
really rocks hard and then a very cool ending. Cool song. Die starts with a
heavy bass line, as a track titled DIE should. This track actually has a pretty
happy thread at times and the riffing reminds me of the SWORD, if you remember
those guys. Soon has some really good dynamics and lots of changes in this
short under 4 min track. Mother speeds things up with frantic drumming and a
heavy groove and nice guitar riff in another short track. Fucker ends the
record and goes back to the doomy track 2 style and might be a bit like
Sardonis from Belgium. Anyway, a powerful instrumental record with a lot of
cool tracks despite almost no lead guitar but enough guitar changes and riffs
to make it quite cool. Let’s see if they jam any of these tracks out live with
some more solos or anything. Check out my friend Jerry’s review for another
opinion. Peace.
The promo sheet mentions Kyuss,
hawkwind and Motorpsycho and I have to say, those bands never came to my mind
while hearing this CD and I have all the records by those bands. Strange…
Dean Allen Foyd- Sunshine Song 7” (H42 Records H42-007)
This
is the most new release from the Swedish psych band from Stockholm. The two
tracks were recorded back in 2011 though. Sunshine Song is a happy track and
start things off with a cool 60s vibe and an uptempo and nice changes between
the organ and effected guitar. Nice spaced out section in the middle of the
track with some cool guitar and effects and then a return to the happy these of
this song. Devil’s Path is next and has a really far out beginning and then a
string section with violins, viola and cello take over. The rock and roll does kick in after a minute
or so to create another quite cool and original track. What a cool band…
Coogans Bluff- Ein Herz voller Foul 7” (H42 Records 42-010)
Coogans
Bluff are a very diverse German band starting off in the Stoner rock genre but
now doing whatever they feel is cool music. The opening track is an old
Yardbirds track called A Heart full of Soul and they do a great version in
German and quite close to the original feel. Flip it over for the bands
original track, She gave her life for a Man, sung in English. It starts off
with an organ and also features horns! It
has a nice groove and I like the way they have the organ just come in here and
there and the horns only in the end section. Nice 7” for sure… Check the web shop for all the different
colours this is available in.
Sun and the Wolf- Salutations (World in Sound WIS-3024)
This
is a new band for me but they have a catchy groove and remind me of
Spirtualized or early 90s Sundial without the great guitar playing. They are a
quartet originally from New Zealand but moved to Berlin to make their mark on
the music world. The band has previously released one record, called White
Buffalo. I really dig the opening track, 87 years, such a cool groove and sound.
Settle Down has a more dark vibe and is one of the longer tracks at nearly
5mins and has some drone synths and some conga in the mid-end groove section
and some guitar but not that interesting compared to the rest of the sound.
Great track. ! All we Need features a real 60s fuzz guitar and vibe but still
have floating feeling. Ghetto Drum is a slightly slower piece with these
slightly more spacey vocals and guitars. Waves
in front of Me has a some cool layers of fuzz and wah guitar as a heavy
deep bass line pushes the track as the vocals put you in this ethereal world.
Into this Mess starts off like a jam with a lazy bluesy, psychedelic guitar as
the groove gets more catchy and melodic vocal develops to follow the guitar or
the other way around and then they have a bit of a jam and space out but the
guitar player only teases and never really just kicks ass and plays a massive
solo.. only toying with us, sadly… This is probably my favourite track with the
opening one but still under 5mins. The Fisherman starts with a loop and then
the drums and bass kick in and then the vocals and happy vibe. Why are we not
Fading is one of the more hard rocking tracks on the CD. Never Sorry finished
off the CD and is another of the more melodic dreamy tracks. A lot of this CD I
liked a lot and some of it was bit too mainstream dreamy pop rock stuff but
fans of Tame Impala, Spiritualized, and the 90s UK psych-pop scene should check
these guys out. They write a lot of good songs.
Colour Haze- To the Highest Gods we Know (Elektrohasch 010)
Colour
Haze is back with their 10th record and this time a single LP with
five songs. Again, it was recorded all analog at the bands own studio, with a
focus on the best analog sound they can get. There is really no need to
introduce this three piece band, although they are assisted by some special
guests on modular synth, flutes, horns, strings, sounds of wind and water.. Circles
starts things off with some slow building guitar with the tone you all know
before Mani and Philip get pulled into the fold. Stefan’s vocal is soft and
relaxed and occasionally doubletracked. The track just glides along, flowing
like a river until the riff that you hear in 50% of all the bands songs,
appears and the intensity goes up and the drums are beginning to get lost as
the guitar is louder and a violin comes in for a brief 30 seconds or so. Paradise
starts off with a really familiar riff, classic Colour Haze sound and tone, is
it Zen or Roses that they borrow from??
Short 3½ min song, perhaps a single? Ûberall is instrumental and starts
slowly with just guitar for about 2mins before the rest of the band kick in at
a mid-tempo. There is some modular synth somewhere (very low at the beginning?)
but the track ins 8 ½ mins of riffing mostly. Call, features Philip on some
droning Hammond throughout the track but you can hear him best at the
beginning. This track is very stripped down with just Stefan playing a riff
with a really cool guitar tone and a vocal sung over it. At 6½ mins, the rest
of the band kicks in for another 1½ mins of riffs you have heard before. The
only real highlight of the record for me is the title track, which ends the
album which is a brilliant like CH Spanish inspired track, starting with some
acoustic guitar and later drums, violin and horns, etc... Amazing track.
I
have to say besides the last song, I did not really get into this album much.
Probably my least favourite CH album since Chopping Block. It just seems like
they have nothing new to say or express until the end of the record. The artwork is just very stripped down and
simple and just not that interesting and the songs just seem to recycled. Sure,
they throw in a violin here and some strings or some organ or modular synth
there but Stefan plays very little new or interesting guitar and hardly any
solos and Mani is mixed way down in the mix. I liked the sound of the last
record much more. Hum… Sorry guys.. I just did not really get it, I guess…
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