This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
This
was the 2nd time for me to see Blackberry Smoke this year and I was
really looking forward to it and hoped they would play some new material. Sue
had never been to this venue before so before we had dinner we went over the
venue and guess who was standing outside smoking a cig, but the one and only
Charlie Starr! Sue and I had a small
chat with him and explained this was our honeymoon and we were big fans of the
band. He said he would dedicate a song to us, which was nice but I was
wondering if he would really remember 4 hrs later?
Anyway,
we headed over to the Malmö Bryghus and tried their 5 beer sampler and they
were all excellent. I think my favourite was the Winter Ale and Sue liked their
Belgium style ale. We were not feeling like burgers so we ate at a Japanese restaurant
run by Korean people (They did not know what Hamachi was (Japanese for
yellowfin tuna). Anyway, the meal was very good and we were ready for some
southern rock!
We
met up with my friend Mats and his friend Lars for another beer. Massive, were
a R&R band from Australia and they played about a 40min set of AC/DC meets
Guns and Roses style music. A lot of cliché and attitude but solid rocking
songs. The singer was perhaps 5 feet tall but was totally into it and had a
cool voice as well. Audience gave them a
good reception.
It
was 21 when BBS hit the stage with a short little like jam and then into their
standard opener on this tour, Like I Am. It was leave a Scar earlier in the
year, which was the 2nd song. IT was a straight up set of good old
BBS songs focusing still on the material from the Whippoorwill album a lot. I
noticed in that track that Charlie now had a delay pedal and changed the solo a
bit. Also the jam in Sleeping Dogs was longer before they did the Midnight
Rider part. They should just leave that out and do their own jam.. They really
need to jam more, then they would really be a totally amazing band. If they
could change the set lists around more and jam, they might be my favourite
band. Anyway, it was great to hear them play the Lynryrd Skynryd song, Whiskey
Rock a Roller. Suits them well. The band
was really touched when the audience sang Brandon happy birthday in Swedish. He
also got one of those plastic Viking hats with the horns (There were no horns
on the Viking hats!) and schnapps. The encore was a brand new song called Rock
and Roll Again and sure enough, Charlie dedicated it to Sue and I, the newlyweds..
Very touching and we had moved up to about the 3rd row in the
center. They ended the show with Shaking hands with the Holy ghost.
It
was a great night. Wish we could have met them afterwards and thanked them but
maybe the next time….
Set List: Intro Jam, Like I Am, Leave
a Scar, I'd Be Lyin', Six Ways to Sunday, Good One Comin' On, Crimson Moon, Pretty
Little Lie, Sleepin' Dogs>Jam, Midnight Rider>Sleeping Dogs, Sanctified
Woman, The Whippoorwill, Restless, Happy Birthday Brendon, Band Introductions, Up
in Smoke, I Ain't Got The Blues Any More, Everyone knows she’s Mine, Whiskey
Rock a Roller, One Horse Town, Ain’t much left of Me> When the Leeve Breaks>
Ain’t much left of Me, Encore: Rock and Roll Again, Shaking hands with the Holy
Ghost
The
cosmic improvisation group from Stockholm are back with another cool studio
album to follow up there recently release live at Roadburn record. As their
approach (not their sound!) is very similar to the Øresund Space Collective,
just set up in the studio and see what happens. This time around though the
record is made of mostly shorter pieces, less mellotron and only one very long
piece, which makes the experience quite different. The Prologue opens things with some backwards
recordings and space sounds and nice bass lines and fades into Song of
Innocence Part 1 and 2. This track has a slow build with some nice guitar with
a bit of delay on it that sort of glides over the bass and drums. This lasts
about 7½ mins before heading into part 2 which is more uptempo but with some
cool guitars and solos. Into the Cosmic Halo starts off with a distinct guitar
riff that the band jams on and develops. Misty Mountainside features Ronny on
the congas. Garden of Delights is my favourite track on the record and has a
cool mysterious start but just builds up into an amazing track and also the
longest on the record. It has a sort of eastern flavour as it fades down around
9 mins and a bit of mellotron (choir sounds) sneaks through the mix. Thomas
Mera Gartz is a short dreamy piece. The title track is a more searching track
with some awesome bass playing. Epilogue, a very mellotron based track closes
this record that was recorded on one day in Jan 2013.. Enjoyl…
This
is the final release by the excellent psychedelic rock band from the UK, THC. I
have followed all their releases and really enjoyed them a lot. They have
always made very cool handmade items with lots of tender loving care and great
thought put into the presentation, music and overall vibe.. I have purchased
all of these and am very glad for them. This finale is seeing the band go out
on a high note, with one last creative adventure out into the unknown world of
psychedelic rock and electronic music to create one last mind latering journey
with a major theme on marijuana… Please
check out the band on bandcamp, where you can hear all their releases and if
you have time explore their main web page, with lots of fun and interesting
things.. I will miss this great band, one of the most creative on the UK scene
for the last 7 or so years.
This
is the first new release by German psychedelic Kraut masters after their 20
year double album last year. There are 8 tracks in about 70mins on this CD and
each track has a funny name related to Black Sabbath songs. The opening track
is called Paraboiled and is a strange track with a constant flow of ideas and
sounds. Slowblnd speads the pace up a bit but each instruments slowly enters
into the fold as the drummer keeps the drive going. The main synth drone is
accompanied by some acoustic guitar and hand drums as well. Cool groovy track
and one of the shorter ones at only 6mins! Symptom of the Moony Nurse starts
with a cool guitar to grab your attention and is slow, stoned and spooky to start
with a cool synthesizer. Suite Beef is a long slow building track with the
organ taking the main lead but a pretty cool strange string instrument
(phonofiddle) and mandolin making some cool accompaniment. Spacey stuff… A Tuna
Sunrise has this interesting instrument called a Phillicorda played by Dirk
that gives the track a really special feeling as the music is really floating
and drifiting away into the outer reaches of your mind and universe. Lovely use
of the Rhodes sound and organ on this track. Behind the Wall of Sheep changes
the mood and starts off quite mysterious and almost like something dangerous is
going to happen. The drums and bass eventually kick in as the guitar line with
a slow wah creates some tension and the synths pulse and push as the track
searches for one instrument to take the lead and punch out into the known… It
becomes nearly a space rock track but then slowly glides back out into space
and then back for another short flight or glide… Seven and Smell features some spoken words
stuff at the beginning as it has some tribal drumming that the bands flows a
long with. Worn Utopia is another long 15min track featuring mellotron and
phillocordia again… This Cd is more spaced out and drifting, than the last one
but still very experimental and in the vibe of the original krautrock
masters..
The
UK psych band, the Chemistry Set is back with another cool 7” record. The 7”
features two original tracks and a Jimi Hendrix cover (Love or Confusion). Elapsed
memories starts things off and takes you back to the late 60s but with a more
modern sound production. A bit poppy, a bit dreamy and very melodic but stuck
40 years back in time. A cure for the
Inflicted Afflicted has a pretty hard rocking guitar riff but then it weaves in
and out of more melodic parts and this very cool guitar riff and guitar solo.
Fantastic track and I love the harmonica that kicks in at the end. The last
track, is the Hendrix track in a nice acoustic version with a bit of sitar and
hand drums. Great version from a very cool band..
Wow..
what can I say.. this is one very intense tape but kicks total ass. A very
intense live concert from the Lepakkomies club in Helsinki from 2012. The band
are just so powerful, loud, intense and in your face… The place must have been
like a complete sweat box. The energy is just unreal… Think high energy heavy
metal but with that hypnotic trance of Circle and some wild vocals and guitar
as well…… The band do slow it down though for some far out blues also.. The B
side also is not as wild but still very cool stuff… Only made in 100
copies… Check the web site…
This
is a promo sampler from the cool Trail Records from New York. It features a lot
of really cool bands and focuses on more spacey songs by these bands. The
majority of the tracks are from 2010 with only 1 from 2013 and 2014,
respectively. I am familiar with most of the bands on here like Siddhartha, Barret
Elmore, Sky Cries Mary (who has two tracks), Ole Lukkøye, In the Labrinyth,
Polska Radio One and Beyond-o-Matic (2 tracks). The bands that were new for me
were Rada and the Blackthorns (who plays a sort of tribal jammed out vibe with
the guitar being quite experimental and searching), The Narcotic Daffodils
(hypnotic spacey rock with sitar and female vocalizations- great stuff!), and
Plootoh (who feature a slow spacey blues track with some beautiful guitar). It
is nice to see this label is still releasing some music. I had heard rumors of
the new Ole Lukkøye coming out on Trail but sadly have not seen or heard
anymore about this. Ther eis one track at the link below here you can preview. http://www.trailrecords.us/news.html
A very cool label releasing world
music in the psychedelic and space rock genre.
This
first full length record by the Norwegian band, Black Moon Circle (BMC), and it
is a psychedelic rock monster! Full of cool songs and moods, massive riffs,
spaced out sounds and a killer drummer and bass player that just groove, while
guitarist Vemund, plays whatever the hell he feels like and rocks like a
MF… Machine
on the Hill is a 9½ monster track that starts slowly with just some loud
drums (sounds really awesome like he is playing in the living room if you have
it cranked loud!) and spacey guitar parts as it slowly builds up. The bridge
has a super catchy chorus. The band hits overdrive and this track has a great
jammed out ending. Jack’s Cold Sweat has a heavier riff and more intense singing from
Øyvin as the band reaches just the peak, where Vemund can take the guitar to
the skies.. The band is complimented by Dr. Space adding some far out space
sounds in the background to take you out into orbit! “Step into the afterworld,
follow the others into the void, take the step on the golden tongue, follow the
dream forevermore….” Supernova slows things down and starts
off with some heavy bass drones with a bit of delay on it as Per slowly brings
the drums in. Vemund takes his time to settle into the riff of choice for
taking you on the journey. Øyvin sings with a melodic, slowly sung vocal with a
dreamy character through most of the drifiting track that lasts about 6 mins
and finishes side A. Dragon starts off with some acoustic
guitar and a bit of other guitar before the drums come in around 2½ mins and
but you have to be patient for the arrival of the Dragon….. then you will feel the dragon rising and the
track just becomes a monster and again Dr. Space makes another appearance around
5½ mins. Vemund plays some really intense guitar parts as the whole sound
becomes a huge psychedelic trip lasting 3 more minutes. Phew…. Andromeda is a 15min track that closes
the album and has many moods and starts off a bit like a Gov’t Mule song, with
its slow melodic guitar build up before the heavy riff kicks in after the 1st
long vocal section. Around 5½mins, the band is ready to jam now and Øyvin steps
up the bass intensity and Per as well and then it is Vemund’s turn to deliver space
guitar. Around 10mins Vemund has really let loose with some great solos as the
whole band just lifts the track to another level around 11½ mins when Vemund
kicks in with another space guitar effect and Øyvin starts killing it on the
bass.. Wow.. what a fucking jam… Look
out early next year for the Studio Jams Vol 1!
This
is a pretty unique and ambitious release. 10 one sided flexi-discs, 10
postcards, poster, and CD in a unique clamshell box…… Flexi discs never really
had such great fidelity and are not known for being able to be played many
times (maybe that’s why you really need the CD this time!). Anyway, it is a
cool idea and it will cost you 27£ plus shipping if you want to own one of the
700 that will be produced. It features 10 somewhat obscure and some of the most
popular bands from the Fruits de Mer catalog including Astralasia, The luck of
Eden, The Thanes, Schizo Fun Addit, Crystal Jacqueline, The Crawlin Hex (a new
band from Fred from Earthling Society), The Loons, The Past Tense, The Blue
giant Zeta Puppies and Icarus Peel. All the bands perform cover songs of mostly
pretty obscure bands from the 60s like the Hippies, Dragonfly, The Sorrows,
Laurie Johnson, Count Five, Calico Wall, the Pretty things, Brainticket, Satori and Donavan. Alot of very cool versions. I was impressed.
I am not really that into soundtrack albums but this one sounded pretty damn cool
and it is! The band is only a three piece with bass, drums, keyboards and
samples but they make the most of it. The music is dark, moody, and with great
atmospheres. Side A starts with the title track and then Return of the Blind
Dead. A very nice rich sound and a great use of bells, strange sounds as the
drums and bass keep it doomy. The Ghost Galleon starts side B off and features
a lot of Mellotron. When the drums and bass kick in, the keyboards and samples
get really spaced out. Quite cool stuff. Night of the Seagulls is the last
track and again features mellotron to help create the creepy atmosphere. I guess this album is about 30mins
of music max but I enjoyed it a lot. I for sure want to see the movie now!
This
is a fairly new project featuring Mike from BONG on guitars, Sam Booth- Drums,
and Jerome Smith on bass. They started putting stuff up on bandcamp back in
2013 and released their debut on Burning World Records called Sick on my
Journey last August. I did not manage to hear that record but the sample I
heard of this one made me want to buy it.
The album features 5 tracks over the two sides of brain damaging music. Side
A opens with Dead in the Temple and gives you the first sonic glimpse. The
sound of the record is such that you feel like these three guys just smoked a
big joint or bong, grabbed the instruments and cranked up the volume in a large
room with a lot of reverb and just set forth to another universe with the drums
and bass keeping a simple stoned groove while Mike just plays totally
psychedelic, fuzzy, distorted guitar and multi-layered at one point…. Pretty
mindblowing opening track. Strung out beyond the Rim, starts a bit slower but
it has a cool guitar riff that is repeated over and over until you are
thoroughly hypnotized. Blue at Noon starts the side B and the aural assault of
the mind kicks in straight away, with hardly a warning, with air raid siren
like guitar, dropping bombs in the mind. It eventually becomes a bit less
intense and then Mike does some more double layering of the spaced out heavy
fuzz guitar. Void in Aimless Flight and Unbroken Reign of the Violent Yagyu end
side B in a stoned haze of fuzz… I
do not recommend cranking this one up in the headphones as you will be left
with a totally blasted and shattered mind… Phew….. advice from the Doctor.
This
is a really fantastic split 7” with the band Superfjord and Earthling Society.
Superfjord from Finland start things off with a super cool version of A Love
Supreme (John Coltrane)! After a super
spacey and far out intro, the band tries to enter into the main theme of the
song but the pull of the drugs just keeps the music way to psychedelic until
the vocals kick in. Super cool version and unlike any I have ever heard.
Earthling Society take on Journey in Satchidananda (Alice Coltrane) is also out
there on the other side of the universe trying to find its way back to earth,
where the track was originally born….. What would John and Alice of thought?? Amazing!
It
has been some years since I have seen Brant play. Last time he played at
Roadburn, we could not get into the Midi Hall and missed his show… There was a
really good crowd for a Weds night. I hung out with the guys from Wonderland
and Lone and an old friend, Morten Jensen and his wife also. Some of the
Roadburn gang (Nils, Tom, Magnus, Sven) were coming later.
A
new young Danish band called South, opened the show. They are a 5 piece band
from Nørrebro in Copenhagen and play a pretty aggressive high energy stoner
rock, heavy rock (metal) music. The drummer and bass player had a really great
groove and the two guitar players whipped up a furry with some really cool
riffs. The female lead singer had a pretty cool voice for their style and good
stage presence. The 2nd songs was a slow and doomy one (Nils would
have liked it!). The 3rd song also started with a heavy bass line
and quite slow and heavy but it really built up in a cool way. Both guitar
players play solos but they have quite different styles: one a more traditional
heavy metal style lead work , the guy with the SG, a more searching
experimenting style, perhaps he is not as confident or competent as a lead
guitarist yet. The 2nd to last song was a really fast number and
also short. The final number was also a fast rock and roll number and hard to
distinguish from the previous. This was only their 2nd
show ever, so I thought they did pretty well but some of their songs are too
much a like but you can say that about Brant as well! They played 6 songs in
about 35mins.
Set List: Black Saw Wing, Knife
Twister, Blind Faith, Night, Satan’s Sister, Sleepless
Race
with myself
Brant
did not hit the stage until 23, which is too fucking late on a week night. I
really wanted to see him though. He started off with too long stoned out jammy
versions of some of his older tracks starting off with Low Desert Punk. He is more or less playing the same set every
night on this tour from what I can see on the internet (below is a guess). I was really surprised
how hard rocking and cool the new songs were. I think the new record will be
really promising. I was really sad that he did not play anything from Gods and
Goddesses as this is my favourite BB record….
Anyway, most of the songs were played pretty straight up but a few were
stretched out. The new lead guitar player was pretty cool and damn, the
drummer, he pounded the drums and was awesome. He had a killer band for sure..
It was a fun show. I think he played about 90mins.
Set List: Low Desert Punk, Lazy
Bones/Automatic, Fantastic, Controllers Destroyed, We Don't Serve Their Kind, Let the Truth be Known, Stokely Up Now, I Miss MyChick, Buddha Time (Everything Fine), Freaks of Nature, ?, Boogie Woogie
On Your Brain
IT has been many years since the Norwegian project lead by Sigurd, have made a new record. The last works were released on the Sulatron label back in 2007. Sigurd plays most of the instruments himself but here is the list of the other folks that helped him realize this very cool album: Halvor William Sanden on drums, friends from Seid (Burt Rocket, Jürgen Kosmos and now ex-Seid member Organ Morgan), Lars Fredrik Frøislie (Wobbler), Sven Arne Skarvik and Ingrid Velle (Love Revolt), Allessandro Elide (Manifest/Hoist) and Erlend Naalsund (Asiago). The CD starts off with the long multipart Leviathan Suite and a long spacey intro before the main musical theme kicks in. This is a beautiful floating track with a lot of moods, mellotron and female vocals. The main long mid-section is a great synthesizer solo and then they return to the main vocal theme and melody again. At about 12½ mins it really picks up with a more intense guitar line and a organ solo. Great track. The Colour Out of Space is next and is a more uptempo track but also strong on the melodic progressive spacey vibe as well. This like most of the record is instrumental and primarily features a lot of synthesizer solos and much fewer guitar solos. There is some great synthesizer work on this track. Surya, starts off with a harpsichord and then moves into the direction of soundtrack music for Dario Argento but perhaps a bit more happy but also a bit haunting. Lovely short track. Distant Star is a very spacey track with some nice slide guitar work and some melodies that remind me a lot of SEID. The Mountains of Madness sounds a lot like songs that preceded it and is the first track to features male lead vocals (Burt?). Some of the guitar work is very David Gilmour inspired. The CD/LP ends with another long track called R’Lyeh, which is split into multiple parts. This has some of the most dramatic music on the LP hidden in this piece. If you like really melodic, floating space progressive rock with a lot of synthesizers, you should enjoy this a lot. If you have not figured out this record is very much inspired by the works of HP Lovecraft!
Full Track Listing: LEVIATHAN SUITE- The Traveller, part I, The Sailors, part I, In Limbo at 5000 Fathoms, Maybe they Sailed out too far?, Between Scylla and Charybdis, The Sailors, part II, Interstellar Foe, THE COLOUR OUT OF SPACE, SURYA, DISTANT STAR, THE MOUNTAINS OF MADNESS, R’LYEH- The Elder Ones, 47°9 S 126°43 W, Every Man For Himself, In the Wake of Cthulhu, The Traveller, part II Leviathan Promo Video Teaser
Space
Invaders is a really cool German Space rock band who do a lot of improvising
and jamming live. This is their 2nd release and was recorded at the
Psychedelic network Festival in Würzburg in Nov 2013, where Nik Turner played
with nearly every band at the festival. Side A of the vinyl starts off with a
pretty cool version of Sonic Attack! Nik
also then sings lead on the old ICU track called Space Invaders. Spicy
Spider features some nice sax rom Nik as a good bass groove drives the track
forward and some of the guitar line remains pretty melodic and the synths
pretty spacey. I like the sort of Spanish inspired guitar solo as well as Nik
switches to flute. See the video below. Drums ‘n’ Space is a improve where the band search out in
space for a cool place to go while Nik plays in his own little universe.. Flip
the record over for the 10min track, Stardust. This is simply a very cool piece
of space rock with some nice flute by Nik. Mike plays some intense guitar when
the track really gets speeding along and some far out space sounds are thrown
in as well. Can You? Is a 12min uptempo rocker where Nik grabs his sax for
another passionate blow! Again, the band has a great funky space groove going
on that just really hooked me. Fucking cool stuff guys… Nik played with a lot
of folks at the festival and sometimes it worked and sometime it didn’t but for
sure it worked here!