There
are 7 tracks, 6 of which are covers from very famous bands. Some of the cover
versions are credited to Crystal Jacqueline and other The Honey Pot. Things get
started with Pink Floyd’s Remember a Day. Jacqueline has this airy dreamy voice
which suits this song well and this is a very cool version with lots of unique
elements tossed in. Wow… It’s Raining (Icarus Peel) is an uptempo and happy
track and features Crystal (the man of the group!) on lead vocals and features
a really psychedelic section of music before returning to beauty. White Rabbit
(guess who?) is served up in a quite extended version of nearly 5mins and this
is really fantastic as well with an almost like Spanish music vibe where they
repeat the lyrical section again. Tick Tock (The Fleur de Lys) has a very funky
vibe and somehow sounds familiar. Egyptian Tomb (Mighty Baby) also has a quite
dreaming feeling to it but also is a very happy and uplifting track. Puppets
(Curved Air) is another beautiful track. The double 7” ends with I had too much
to Dream Tonight. I highly recommend this record. Every track is totally skilfully
performed and delivered in this group’s own unique but also accurate
renditions.
This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
Saturday, March 15, 2014
Planes of Satori 7” (Who can you Trust)
Not
sure where this band is from but I guess the San Francisco bay area since it
contains members of Golden Void, Parchman Farm, Voices and Cousins The 7”
starts off with Son of A Gun, which has a guitar line that steals a bit from
the Flower Travellin’ Band and reminds a bit of Satori (just a little). The
sound production is quite strange with the drum toms mixed quite high. Cool
song. Dichotomies changes the vibe totally and is more laid back and wandering,
in a way but still pretty spacey. This band is one that needs longer times than
this 7” gives them in order really create a good trip for you. It simply just
ends too quickly! Enjoy..
Bronco Bullfrog- Time Waits for Norman (Regal Crabomophone 15)
Another totally new band for me
and one that the label says is channeling the vibe of England circa 1966/68,
which sounds like a cool thing to me. The 7” contains two original tracks and
one 60’s cover of a band called Sands. It starts off with Time waits for Norman
and it retains the vibe of the Beatles meets the Kinks but with a more modern
sound production. It fades out when it sounds like the band is going into a
more improvised jam or something.. I wonder if we ever hear the full version? Rocking
Horse Mender (inspired by Kaleidoscope) is only 2½ minutes of 60’s music but
without the psychedelic edge. Listen to the Sky (Sands) is a catchy track about
listening to the Sky… Enjoy..
Admiral Sir Cloudsley Shovell- Black Sheep 7” (Rise Above Records RISE7/174)
The
nasty rock and roll sounds of ASCS return with two new tracks that precede
their new record due out later this year. Black Sheep starts things off with an
uptempo rocker with a catchy head bobbing riff and groove and a short guitar
solo. This must be one of the bands shortest songs ever as it just went by way
too fast… Elemental Man has a really
dirty guitar sound and riff and starts off with a guitar solo. Reminds me a bit
of the Groundhogs, a band these guys surely dig.
Us and Them- By the time it gets Dark (Regal Crabomophone WINKLE 14)
Us
and Them is really Britt and Anders (Sweden). They start the 7” off with the
Sandy Denny song that is the title track of this 7”. It is very serine and
dreamy and clearly difficult to sing and capture the original Sandy magic. A
Donavan song is next and is quite cool and really does evoke this creepy story
by Lewis Carroll. The 7” ends with a band original called Do I Know You. This
track is 6½ minutes and also very beautiful and magical in a way with just
simple instrumentation to start but then the drums come in and flute, etc.. Perfect
track to start the Sunday morning!
Deamon’s Child- S/T (Zygmatron Music ZYG1)
This
three piece band hails from Northern Germany and plays a strange punky rock
music. The band has a female bass player/singer who sings in German, which is
very unique. She also has a very special voice. There are 9 tracks in 30 mins
as this record tends to fly by. The songs remind me of Melvins at times with
these crazy changes going on all the time but the production is far to clean
and produced. I have no idea what they sing about if it is political, funny,
serious, or what. Missu sometimes plays some pretty cool guitar parts in
different songs while Tim, the drummer, is the real driver of the rhythms and
is mixing things up all the time. I don’t know what more to say.. Just check
them out……
The Hedgehogs- You make me wanna Cry 7” (Levitation Records LR010)
The
Danish psych band from Aarhus are back with a new 7” release mixed and mastered
by Tony Reed (Mos Generator). The title track starts things off with a standard
baby Wodrose like strummed guitar riff. The lead guitar line runs a melodic
thread through the entire track while the mid-section really picks up with the
organ more prominent in the mix. The harmonica solo comes a bit later as the
track gets more and more psychedelic. Can’t Find Myself continues in a very
similar vein as the first track with a mid-pace and catchy combination of organ
and guitar melodies that would fit perfect back in 1968… While the band is
really lacking in original ideas, they play 60’s garage psych really well and
if you are into that you will probably dig cranking this 7” up. I believe it is
pressed on 200gm vinyl in 500 copies so it will be around for a while.
Sweet Times- Volume 1 7” (Who can you Trust)
This is a 7” that plays on 33rpm
and contains one track from 4 different bands. I believe these are all
exclusive to this 7”. The first band up is Hot Lunch with the track called Love
is all around Me. This track is totally sounds like it was out of the early
70s. Glitter Wizard is up next with a track called Siren. It is a really fast
track and it sounds like they have a different singer but the music is freaky
space rock punk (nearly). Flip the record over and Dirty Fences have a short
uptempo catchy melodic punky rocker. Ouul changes the music radically even though
the tempo is quite similar. Ther track, Jeewolf Awakening is a bit more
aggressive and low fi in nature and a bit psyched out at the end. An
interesting compilation and the first in a series of 10 all pressed in 600
copies.
Thursday, March 6, 2014
Blackberry Smoke- 02 Academy, Islington, London March 3rd, 2014
It has been 5 years since Sue and
I saw are current favourite Southern Rock band, Blackberry Smoke. The gig has
been sold out, actually, the bands entire UK tour sold out. Some friends of
BBS, Cadillac 3, who happen to be in town playing opened the show with a short
like 25min set. They were an interesting 3 piece of drums, guitar (who did the
lead vocals), and pedal steel, who also did a lot of singing. Sadly, the pedal
steel was mixed way too low in the mix and you only herad him in the more quiet
sections, which were few as this was big heavy southern riffs, almost like a
stoner southern blues with no solos. They played Tennesse Mojo and their new
single, which is not out yet called South but I don’t remember the title of the
other three short songs.| Million Dollar Reload |
I had seen the set they were
playing on this tour and it was really heavy on the Whippoorwheel, which was
only just released in the UK and Europe on Earache records, despite having been
out like 1½ years in the USA. Anyway, they opened with the hard rocking, Leave
a Scar and into Like I Am from the bands little Piece of Dixie record. Turns
out they would only play tracks from these two records with nothing from their
debut or the more country, Honky Tonk Ep. The set went by pretty fast as the
songs are played very tight and exactly like on the record except for Sleeping
Dogs, where they have a bit of fun with a jam in the middle with a bit of
Midnight Rider by the Allman Brothers and back into the song but even this is
done with picture perfection as they do it like this every night for the last
many years. People really got into Up in Smoke, which would have been a perfect
one for them to jam out and one of the few where Paul gets to do a guitar solo
but they kept it short. I really wish they would jam it out a bit more. The
bass player and drummer looked like they could have fallen asleep during the
set a few times, while Charlie and Paul were clearly having a ball playing. I
shouted out Train Rollin (a song from the first album) but Charlie said that
was a Deep Cut and they could not play it because Paul could not remember the
words! The first encore was a brand new song, called Livin in the Song, and it
was a quite a short commercial track. I did not particularly like it but you
know their songs grow on you… They were pressed for time so a quick version of
Shake your Magnolia and they were out the door in about a 95min set. Fun show for sure…
Set List: Leave a Scar, Like I am,
Six Ways to Sunday, Good One Comin’ On, Pretty Little Lie, Crimson Moon,
Sleeping Dogs, She’s Mine, Whippoorwheel, Holy Ghost, Up in Smoke, Ain’t got
the blues, Freeborn Man, Restless, One Horse Town, Ain’t much Left of Me, Livin
in a Song, Shake your Magnolia
Micky Moody and Papa George- The Red Lion, Isleworth, UK 3/2/14
The
Red Lion is a quite famous music club in the North London suburb of Isleworth,
not far from Richmond. The first Sunday of every month, Micky Moody
(Whitesnake) and this friend Papa George play a couple of sets of old Blues
standards and sometimes have some specials guests. Sue had seen them before and
clearly so had a lot of the other people here. The place was nearly full when
they started about 15:30 opening with Sweet Chicago. Papa has a great blues
voice and plays mostly his steel body acoustic guitar while Mickey switches between his telecaster, Les Paul and acoustic guitar. Micky plays some really nice
guitar leads and slide. Next up was The Crawling Kingsnake with a
mid-section of Whole Lotta Love from Led Zeppelin. They would through in some
really short teases here and there in a number of songs if you were really
paying attention. They did a lot of improvised and long solo sections in each
song. All Over now (I love the Molly Hatchet version) into the really great
song, Same old Blues. I also love the Allman Brothers version. This is a very
nice and intimate place to see acts play. It was clear that this was still a
family place as well as people had come to have a beer and brought their kids
as well. The set ended with Walking Blues.
They
took about 20min break and I spent some time talking with a really nice guy
named Steve Goslin, who would guest with the band on harmonica in the 2nd
set. He had been playing harmonica since he was 14 years old. He said he played
with Fleetwood Mac for 4 months in 1967. Very nice guy. He said he thought Sue
looked familiar and it turns out he has done some freelance work as a
genealogist at the same place Sue works. Anyway, the next set started with One
more Dance with a lot of different small teases in this long song. Steve came
up and played some cool harmonica on Catfish Blues. They did a cool version of
the Lowell George song, Put on your Sailing Shoes. Rollin’ and Tumblin’ was
next even though Micky said they were going to play Come into my Kitchen. The
last song we saw they had a lady Ms.Maars, come up and she had a fantastic
voice and Steve also joined in as they all traded solos. It was a fun free gig
on a Sunday afternoon. They went around with a cup and asked for donations. We
gave them a couple of pounds. They also had some really good beers on tap. I
tried the Redhead red ale and the Double Hop Monster IPA!
Set
I- Sweet Chicago, Crawling Kingsnake>Whole Lotta Love>Crawling Kingsnake,
All over Now, Same old Blues, Blues with a Feeling, Walking Blues
Set
II- One More Dance (with a tease of My Favorite Things, James bond movie
theme), Catfish Blues, Put on your Sailing Shoes, Rollin’ and Tumblin’, ??
Papir- IIII (El Pariso Records EPR015LP)
The
all instrumental three piece band from Copenhagen are back with another new
record to start off 2014. While the band are not very creative with their album
or song titles, they make up for it with some really cool music. As with all
but their first record this one is once again recorded, mixed and mastered by
Jonas Munk, who also plays synths on the album side long track 3. They are not
really breaking any new ground or territory with this record but if you have
enjoyed their musical trips you will really dig this record for sure as you get
sucked in right away with the opening track, Papir IIII.I, which is one the
band have been playing at most of their live shows in 2013. The track starts softly
with a nice bass line from Christian before Nicklas takes the lead with some
really beautiful guitar. The track has a beautiful mid-section that leads up to
the intense ending. IIII-II is 9½ mins and it amazes me how this band creates
this spacey vibe, beautiful melodies but also this musical tension. Great album
side. Flip the record over and prepare yourself for the 22min track simply
called IIII.III. It starts with a long fade in and then the journey begins. It
slowly builds up and then comes down in the middle to a section with just bass
and guitar before it creeps back up. It gets really psychedelic at the end.
Jonas’s synth parts are pretty subtle throughout but most noticeable in this
section. Hope they play this track live. Another cool record. Keep it up boys!
Shiva’s Nat- Hard to Breathe (Bilocation Records ARFIFACT13)
Shiva’s Nat is the new band formed by former Highway Child singer, Patrick. He is
joined by Morten (Ex-Fuzz Manta) on bass and Alexsander Trap-Jensen on drums
and Bjorn Sunesen on organ. The record starts off very spacey with the track,
The Shape of my Soul. When the track begins it is a very passionate blues song
with the organ playing a major role in the melody of the track. Later in the
track, Patrick plays a lovely guitar solo as well. I’m Alive shows Patrick
belting out a wild vocal and the guitar and bass line is more aggressive as
well. The track has a really jammed out
ending with Patrick taking some extended solo time before the track comes back
to the main theme. Intermission is a slow bluesy track to end side A without
organ. Flip the record over and you start with the Dragonodyssey! This has a
really rumbling bass line over which the track develops and there is some great
double tracked guitars that make this one quite psychedelic. Bjorn comes in at
the end with the organ. You ends the record with a slow starting blues track
with some really fervent singing once again and guitar playing. Fans of Highway
Child will dig the singing but might be surprised how bluesy this one is and
not as rocking perhaps as one might expect. Cool record, I think..
Noetics- Delayed Back remixed (State of the Art Records SOTA011)
The
German psychedelic world music band are back with a new CD in a small cardboard
sleeve with a glue on artwork as well as a double vinyl. It has different
versions of most of the songs from the Delayed Back CD from 2009 but they have
been remixed by various people. I have very mixed views of this material
actually. I have been a big fan of the bands Ozric Tentales like sounds that
they started off with and the way they have travelled a nice journey to create
their own psychedelic world music. Peninsolar starts things off with a chilled
dub vibe. Dschungelgelöt has this really chilled elevator techno jazz bar
feeling. Grant Lump also has this pretty smooth techno groove but I quite like
the violin line. Shinkenwurst Dub is just as it says, a very relaxed dub.
Vibrant Hydrant is also very chilled with a sax and some violin. Rumpankong
features some rapping and female vocals over a reggae style remix in this
Ramfma and knut remix. VeJon Kennedy does his own totally different remix of
Pennisolar and instead of dub this has a quite deep bass line and fast
programmed drumming. Tom tyler remixes
Vibrant hydrant in a very cool and psychedelic track. This was my favourite on
the remix record. Mahdrescher is another dub out trip mix. Rotterdub is a psacey
dub. He CD ends with Der heikle Mann, which is also pretty relaxed. Anyway,
some of these remixes have turned the band’s sound into some sort of laid back
lounge music, while others have maintained more of the original vibe. I like
the last half much better than the first. Take chance…
Baby Woodrose- Kicking Ass and Taking Names (Bad Afro Records AFROCD047)
Baby
Woodrose is back with a new CD collection rare tracks from the mostly B-sides
of their 7” singles. The music has been remasted in the studio and also
features music from some of the very rare 7” records like the one originally
released on Pan records. There is also two tracks from the very first recording
session (That’s how strong my Love Is, 6654321). This is also pressed in 1000
copies on black vinyl for the first pressing. The CD comes in a nice digipack
format. This is a great collection for those who don’t have the money to hunt
down these rare 7” records. I have been spinning it a lot lately...
Saturday, February 8, 2014
Wheel of Smoke- Signs of Saturn (Private Release)
This quite cool Belgium band has
released a new record on vinyl in 500 copies with a poster and a sticker and
they are all hand numbered. I have number 338. There are quite a few guest
vocalists and players adding horns, synths, and Fender Rhodes. The record has a
wide range of diverse material on it and starts off with Sahara, which slowly
fades in before the band kicks into an uptempo and intense song but then at the
break it goes into a totally 70s section with horns and keyboards and the vocal
style changes to this very laid back mood from a very powerful vocal before
returning to the power of the start. Cool dynamics. Serpent is an very nice and
melodic instrumental piece, which really picks up at the end. Salvation is the
last track on side A, which has some very powerful lyrics ending with “chocked
on materialism, forced only to see, we’re losing the power to be”.. I like
that.. It starts with some very nice harmony guitars by Philip and Erik, before
the heavy and slow riff kicks in and the vocals, which have a sort of nasty
angry edge to them, to contrast the nice melody of the song. This track
actually reminds me a bit a lot of the Finnish band, Amorphis. It ends with a
long acoustic section. Flip the record over to hear Sands, which starts with a
eastern flute with Fender Rhodes, section before an acoustic guitar section
with a female spoken voice and as the rest of the band joins on this slow
building piece. Cool song. The record ends in a very heavy fashion with the
monster track, Song of Saturn. It has a very heavy riff to start but then
really evolves in a unique way. This is a great record and not what I had
expected at all. It is also released on a CD digipack, which I forgot to
mention before.
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