Saturday, March 15, 2014

Admiral Sir Cloudsley Shovell- Black Sheep 7” (Rise Above Records RISE7/174)

The nasty rock and roll sounds of ASCS return with two new tracks that precede their new record due out later this year. Black Sheep starts things off with an uptempo rocker with a catchy head bobbing riff and groove and a short guitar solo. This must be one of the bands shortest songs ever as it just went by way too fast…  Elemental Man has a really dirty guitar sound and riff and starts off with a guitar solo. Reminds me a bit of the Groundhogs, a band these guys surely dig.



Us and Them- By the time it gets Dark (Regal Crabomophone WINKLE 14)

Us and Them is really Britt and Anders (Sweden). They start the 7” off with the Sandy Denny song that is the title track of this 7”. It is very serine and dreamy and clearly difficult to sing and capture the original Sandy magic. A Donavan song is next and is quite cool and really does evoke this creepy story by Lewis Carroll. The 7” ends with a band original called Do I Know You. This track is 6½ minutes and also very beautiful and magical in a way with just simple instrumentation to start but then the drums come in and flute, etc.. Perfect track to start the Sunday morning!

Deamon’s Child- S/T (Zygmatron Music ZYG1)

This three piece band hails from Northern Germany and plays a strange punky rock music. The band has a female bass player/singer who sings in German, which is very unique. She also has a very special voice. There are 9 tracks in 30 mins as this record tends to fly by. The songs remind me of Melvins at times with these crazy changes going on all the time but the production is far to clean and produced. I have no idea what they sing about if it is political, funny, serious, or what. Missu sometimes plays some pretty cool guitar parts in different songs while Tim, the drummer, is the real driver of the rhythms and is mixing things up all the time. I don’t know what more to say.. Just check them out……


The Hedgehogs- You make me wanna Cry 7” (Levitation Records LR010)

The Danish psych band from Aarhus are back with a new 7” release mixed and mastered by Tony Reed (Mos Generator). The title track starts things off with a standard baby Wodrose like strummed guitar riff. The lead guitar line runs a melodic thread through the entire track while the mid-section really picks up with the organ more prominent in the mix. The harmonica solo comes a bit later as the track gets more and more psychedelic. Can’t Find Myself continues in a very similar vein as the first track with a mid-pace and catchy combination of organ and guitar melodies that would fit perfect back in 1968… While the band is really lacking in original ideas, they play 60’s garage psych really well and if you are into that you will probably dig cranking this 7” up. I believe it is pressed on 200gm vinyl in 500 copies so it will be around for a while.


Sweet Times- Volume 1 7” (Who can you Trust)

This is a 7” that plays on 33rpm and contains one track from 4 different bands. I believe these are all exclusive to this 7”. The first band up is Hot Lunch with the track called Love is all around Me. This track is totally sounds like it was out of the early 70s. Glitter Wizard is up next with a track called Siren. It is a really fast track and it sounds like they have a different singer but the music is freaky space rock punk (nearly). Flip the record over and Dirty Fences have a short uptempo catchy melodic punky rocker. Ouul changes the music radically even though the tempo is quite similar. Ther track, Jeewolf Awakening is a bit more aggressive and low fi in nature and a bit psyched out at the end. An interesting compilation and the first in a series of 10 all pressed in 600 copies.


Thursday, March 6, 2014

Blackberry Smoke- 02 Academy, Islington, London March 3rd, 2014

It has been 5 years since Sue and I saw are current favourite Southern Rock band, Blackberry Smoke. The gig has been sold out, actually, the bands entire UK tour sold out. Some friends of BBS, Cadillac 3, who happen to be in town playing opened the show with a short like 25min set. They were an interesting 3 piece of drums, guitar (who did the lead vocals), and pedal steel, who also did a lot of singing. Sadly, the pedal steel was mixed way too low in the mix and you only herad him in the more quiet sections, which were few as this was big heavy southern riffs, almost like a stoner southern blues with no solos. They played Tennesse Mojo and their new single, which is not out yet called South but I don’t remember the title of the other three short songs.

Million Dollar Reload
After a 20min break, Million Dollar Reload, I think they were called hit the stage. They clearly had some fans in the area where we were standing but they were really average. A bit of AC/DC, Guns and Roses and 80’s rock and roll, ala Hanoi Rocks but we had heard it all before. Good energy and average sing along rock songs. I was pretty bored and just wanted to see BBS like everyone else.

I had seen the set they were playing on this tour and it was really heavy on the Whippoorwheel, which was only just released in the UK and Europe on Earache records, despite having been out like 1½ years in the USA. Anyway, they opened with the hard rocking, Leave a Scar and into Like I Am from the bands little Piece of Dixie record. Turns out they would only play tracks from these two records with nothing from their debut or the more country, Honky Tonk Ep. The set went by pretty fast as the songs are played very tight and exactly like on the record except for Sleeping Dogs, where they have a bit of fun with a jam in the middle with a bit of Midnight Rider by the Allman Brothers and back into the song but even this is done with picture perfection as they do it like this every night for the last many years. People really got into Up in Smoke, which would have been a perfect one for them to jam out and one of the few where Paul gets to do a guitar solo but they kept it short. I really wish they would jam it out a bit more. The bass player and drummer looked like they could have fallen asleep during the set a few times, while Charlie and Paul were clearly having a ball playing. I shouted out Train Rollin (a song from the first album) but Charlie said that was a Deep Cut and they could not play it because Paul could not remember the words! The first encore was a brand new song, called Livin in the Song, and it was a quite a short commercial track. I did not particularly like it but you know their songs grow on you… They were pressed for time so a quick version of Shake your Magnolia and they were out the door in about a 95min set.  Fun show for sure…



Set List: Leave a Scar, Like I am, Six Ways to Sunday, Good One Comin’ On, Pretty Little Lie, Crimson Moon, Sleeping Dogs, She’s Mine, Whippoorwheel, Holy Ghost, Up in Smoke, Ain’t got the blues, Freeborn Man, Restless, One Horse Town, Ain’t much Left of Me, Livin in a Song, Shake your Magnolia

Micky Moody and Papa George- The Red Lion, Isleworth, UK 3/2/14

The Red Lion is a quite famous music club in the North London suburb of Isleworth, not far from Richmond. The first Sunday of every month, Micky Moody (Whitesnake) and this friend Papa George play a couple of sets of old Blues standards and sometimes have some specials guests. Sue had seen them before and clearly so had a lot of the other people here. The place was nearly full when they started about 15:30 opening with Sweet Chicago. Papa has a great blues voice and plays mostly his steel body acoustic guitar while Mickey switches between his telecaster, Les Paul and acoustic guitar. Micky plays some really nice guitar leads and slide.  Next up was The Crawling Kingsnake with a mid-section of Whole Lotta Love from Led Zeppelin. They would through in some really short teases here and there in a number of songs if you were really paying attention. They did a lot of improvised and long solo sections in each song. All Over now (I love the Molly Hatchet version) into the really great song, Same old Blues. I also love the Allman Brothers version. This is a very nice and intimate place to see acts play. It was clear that this was still a family place as well as people had come to have a beer and brought their kids as well. The set ended with Walking Blues.

They took about 20min break and I spent some time talking with a really nice guy named Steve Goslin, who would guest with the band on harmonica in the 2nd set. He had been playing harmonica since he was 14 years old. He said he played with Fleetwood Mac for 4 months in 1967. Very nice guy. He said he thought Sue looked familiar and it turns out he has done some freelance work as a genealogist at the same place Sue works. Anyway, the next set started with One more Dance with a lot of different small teases in this long song. Steve came up and played some cool harmonica on Catfish Blues. They did a cool version of the Lowell George song, Put on your Sailing Shoes. Rollin’ and Tumblin’ was next even though Micky said they were going to play Come into my Kitchen. The last song we saw they had a lady Ms.Maars, come up and she had a fantastic voice and Steve also joined in as they all traded solos. It was a fun free gig on a Sunday afternoon. They went around with a cup and asked for donations. We gave them a couple of pounds. They also had some really good beers on tap. I tried the Redhead red ale and the Double Hop Monster IPA!

Set I- Sweet Chicago, Crawling Kingsnake>Whole Lotta Love>Crawling Kingsnake, All over Now, Same old Blues, Blues with a Feeling, Walking Blues

Set II-  One More Dance (with a tease of My Favorite Things, James bond movie theme), Catfish Blues, Put on your Sailing Shoes, Rollin’ and Tumblin’, ??




Papir- IIII (El Pariso Records EPR015LP)

The all instrumental three piece band from Copenhagen are back with another new record to start off 2014. While the band are not very creative with their album or song titles, they make up for it with some really cool music. As with all but their first record this one is once again recorded, mixed and mastered by Jonas Munk, who also plays synths on the album side long track 3. They are not really breaking any new ground or territory with this record but if you have enjoyed their musical trips you will really dig this record for sure as you get sucked in right away with the opening track, Papir IIII.I, which is one the band have been playing at most of their live shows in 2013. The track starts softly with a nice bass line from Christian before Nicklas takes the lead with some really beautiful guitar. The track has a beautiful mid-section that leads up to the intense ending. IIII-II is 9½ mins and it amazes me how this band creates this spacey vibe, beautiful melodies but also this musical tension. Great album side. Flip the record over and prepare yourself for the 22min track simply called IIII.III. It starts with a long fade in and then the journey begins. It slowly builds up and then comes down in the middle to a section with just bass and guitar before it creeps back up. It gets really psychedelic at the end. Jonas’s synth parts are pretty subtle throughout but most noticeable in this section. Hope they play this track live. Another cool record. Keep it up boys!



Shiva’s Nat- Hard to Breathe (Bilocation Records ARFIFACT13)

Shiva’s Nat is the new band formed by former Highway Child singer, Patrick. He is joined by Morten (Ex-Fuzz Manta) on bass and Alexsander Trap-Jensen on drums and Bjorn Sunesen on organ. The record starts off very spacey with the track, The Shape of my Soul. When the track begins it is a very passionate blues song with the organ playing a major role in the melody of the track. Later in the track, Patrick plays a lovely guitar solo as well. I’m Alive shows Patrick belting out a wild vocal and the guitar and bass line is more aggressive as well. The track has a really jammed out ending with Patrick taking some extended solo time before the track comes back to the main theme. Intermission is a slow bluesy track to end side A without organ. Flip the record over and you start with the Dragonodyssey! This has a really rumbling bass line over which the track develops and there is some great double tracked guitars that make this one quite psychedelic. Bjorn comes in at the end with the organ. You ends the record with a slow starting blues track with some really fervent singing once again and guitar playing. Fans of Highway Child will dig the singing but might be surprised how bluesy this one is and not as rocking perhaps as one might expect. Cool record, I think..

http://www.kozmik-artifactz.com http://www.facebook.com/shivasnat

Noetics- Delayed Back remixed (State of the Art Records SOTA011)

The German psychedelic world music band are back with a new CD in a small cardboard sleeve with a glue on artwork as well as a double vinyl. It has different versions of most of the songs from the Delayed Back CD from 2009 but they have been remixed by various people. I have very mixed views of this material actually. I have been a big fan of the bands Ozric Tentales like sounds that they started off with and the way they have travelled a nice journey to create their own psychedelic world music. Peninsolar starts things off with a chilled dub vibe. Dschungelgelöt has this really chilled elevator techno jazz bar feeling. Grant Lump also has this pretty smooth techno groove but I quite like the violin line. Shinkenwurst Dub is just as it says, a very relaxed dub. Vibrant Hydrant is also very chilled with a sax and some violin. Rumpankong features some rapping and female vocals over a reggae style remix in this Ramfma and knut remix. VeJon Kennedy does his own totally different remix of Pennisolar and instead of dub this has a quite deep bass line and fast programmed drumming.  Tom tyler remixes Vibrant hydrant in a very cool and psychedelic track. This was my favourite on the remix record. Mahdrescher is another dub out trip mix. Rotterdub is a psacey dub. He CD ends with Der heikle Mann, which is also pretty relaxed. Anyway, some of these remixes have turned the band’s sound into some sort of laid back lounge music, while others have maintained more of the original vibe. I like the last half much better than the first. Take chance…


Baby Woodrose- Kicking Ass and Taking Names (Bad Afro Records AFROCD047)

Baby Woodrose is back with a new CD collection rare tracks from the mostly B-sides of their 7” singles. The music has been remasted in the studio and also features music from some of the very rare 7” records like the one originally released on Pan records. There is also two tracks from the very first recording session (That’s how strong my Love Is, 6654321). This is also pressed in 1000 copies on black vinyl for the first pressing. The CD comes in a nice digipack format. This is a great collection for those who don’t have the money to hunt down these rare 7” records. I have been spinning it a lot lately...


Saturday, February 8, 2014

Wheel of Smoke- Signs of Saturn (Private Release)

This quite cool Belgium band has released a new record on vinyl in 500 copies with a poster and a sticker and they are all hand numbered. I have number 338. There are quite a few guest vocalists and players adding horns, synths, and Fender Rhodes. The record has a wide range of diverse material on it and starts off with Sahara, which slowly fades in before the band kicks into an uptempo and intense song but then at the break it goes into a totally 70s section with horns and keyboards and the vocal style changes to this very laid back mood from a very powerful vocal before returning to the power of the start. Cool dynamics. Serpent is an very nice and melodic instrumental piece, which really picks up at the end. Salvation is the last track on side A, which has some very powerful lyrics ending with “chocked on materialism, forced only to see, we’re losing the power to be”.. I like that.. It starts with some very nice harmony guitars by Philip and Erik, before the heavy and slow riff kicks in and the vocals, which have a sort of nasty angry edge to them, to contrast the nice melody of the song. This track actually reminds me a bit a lot of the Finnish band, Amorphis. It ends with a long acoustic section. Flip the record over to hear Sands, which starts with a eastern flute with Fender Rhodes, section before an acoustic guitar section with a female spoken voice and as the rest of the band joins on this slow building piece. Cool song. The record ends in a very heavy fashion with the monster track, Song of Saturn. It has a very heavy riff to start but then really evolves in a unique way. This is a great record and not what I had expected at all. It is also released on a CD digipack, which I forgot to mention before.

Polska Radio One- Cosmos Inside (Trail Records 015)

This is a new Russian band released on the very cool US label, Trail records. From the picture in the digipack, you can see four young men (Dmitry- Guitar, vocal, keys, Alexander- Electric Tambura, Andrei- Keys, bass, and Feodor- Drums, keys) who created this very diverse, cool and interesting musical journey. The Final Mantra starts things off with a slow steady beat that hardly changes throughout the track, but interesting layers of vocal chants and some psychedelic guitar playing compliment this interesting intro track. The 2nd track, The Fractalized Sky will remind people a lot of Wooden Shjips, with its sound, vibe and vocal style. It has some very cool psychedelic guitar. Time Eternity is an excellent eastern style instrumental piece and features Stepan Jee on sitar. Morosim (2 C-P dub) changes the feeling totally as it very spaced out and dub like at times but some spacey vocals and wah guitar lead lead the way.  The track is also pretty hypnotic with a lot of repeated elements. To the Delta of Aquarius has some more spacey synths and a bit of a eastern feel to it again and more singing and Saucerful of Secrets Pink Floyd feel at times. Shagri-La is a slow track with hand drums and a slow evolving lead guitar line that complements the simplicity of the track as the keyboards lay low on this one and slowly creep into the sound as it gains in intensity, when the organ takes over.  Launch #93 has some spoken words taken from some astronauts talking in space, while an acoustic guitar strums and different keyboard fill in the rest of the space.  The 10min long title track, Cosmos Inside ends this excellent musical journey. This track has a more uptempo and groovy bass line that gets things going before the band really improvise and go out into space with a lot of cool guitar and effects and keyboards as this one gets really intense. There is one bonus track called Rhymes and Armonies and once again features Stepan Jee on sitar. The whole journey is 55mins..  I really liked this CD a lot.

Truckfighters- The Chairman 10” (Fuzzorama Records FUZZLP007)

It has been years since I heard any Truckfighters. I had the Gravity X CD but someone made off with it at some point.. Anyway, this 10” has the title track from the bands new record as well as a live track from Australia. The new track is very groovy and has all the features that this band does best. The bass is really leading in this one and they have a lot of cool changes. The guitar player is not playing hardly any lead guitar but mixing up the riffs a lot. A very cool mix of vocals as well. Great song. Desert Cruiser is clearly a song the band and the audience dig as you can hear the audience singing a long and you almost get the energy of the audience jumping up and down with the way the band are into it and stretch this one out to 12mins! If you are a fan you will love this one. I hope to catch them when they play in Copenhagen on Feb 16th

Spidergawd- S/T (Crispin Glover Records)

This is a new Norwegian band to me. They have release two singles before this amazing full length record. The band hails from Trondheim and features the rhythm section from Motorpsycho. This limited edition vinyl record is a super cool package with amazing artwork and on a few different colours of vinyl (I got the purple one). The album in CD is also included. All information about the record is printed on the inside of the sleeve, so you have to sort of stretch it out to see the writing. The record features 4 tracks on the A side and two on the B side, one which is most of the side. Per Borten is the lead man who plays the guitar and sings. There is also saxophone, trumpet and pedal steel on the record.  Into tomorrow starts the record off with a low fi garage rock type song but then when the bass and band kicks in, it is a real rocker. The vocals when Per is at his most powerful he reminds me of Spice of Spiritual Beggars. This track also mixes in some keyboards and horns into the mix and has a cool groove. Blaer Jubel starts off sounding just like Motorpsycho the way the bass line runs through the track but Per is a more intense singer and then the cool lead guitar takes over for a brief section. The track has a long instrumental section where the guitar is mixed up front and the rhythm is just killer and it just ends as a sort of faded out jam. Master of Disguise is uptempo and really reminds me of Spiritual Beggars but with a bit more rock and roll attitude! Southeastern Voodoo Lab starts off a bit funky but then just ends up in a very jamming loose feeling track. Damn, this side is some kick ass rock and roll with attitude, some far out fuzzed out guitars and killer grooves. It is great when the horns kick in as well. Flip over the record you have an extended version of Empty Rooms that was released as a single. It starts off with a sax solo and a long intro before the band and powerful vocal kicks in and the track really rocks with a powerful bass line like Back to Komm by MC5 and a cool guitar with some massive effects on it. Million and Somersault is a long jammed out instrumental track and by far the most laid back on the record but with some excellent space outs and psychedelic parts and lots of changes.  Amazing record..