The
all instrumental three piece band from Copenhagen are back with another new
record to start off 2014. While the band are not very creative with their album
or song titles, they make up for it with some really cool music. As with all
but their first record this one is once again recorded, mixed and mastered by
Jonas Munk, who also plays synths on the album side long track 3. They are not
really breaking any new ground or territory with this record but if you have
enjoyed their musical trips you will really dig this record for sure as you get
sucked in right away with the opening track, Papir IIII.I, which is one the
band have been playing at most of their live shows in 2013. The track starts softly
with a nice bass line from Christian before Nicklas takes the lead with some
really beautiful guitar. The track has a beautiful mid-section that leads up to
the intense ending. IIII-II is 9½ mins and it amazes me how this band creates
this spacey vibe, beautiful melodies but also this musical tension. Great album
side. Flip the record over and prepare yourself for the 22min track simply
called IIII.III. It starts with a long fade in and then the journey begins. It
slowly builds up and then comes down in the middle to a section with just bass
and guitar before it creeps back up. It gets really psychedelic at the end.
Jonas’s synth parts are pretty subtle throughout but most noticeable in this
section. Hope they play this track live. Another cool record. Keep it up boys!
This is a site where I post reviews of CDs, DVDs, LPs, and concerts. I have been writing music reviews on and off since 1984. I ran a heavy metal fanzine from 1984-1988 called Metal Madness and have been a staff writer for Aural Innovations for many years. I have also contributed to Chrohinga Well (RIP), Bad Acid (RIP), Lowcut (RIP), Roadburn and a number of other zines as well. I recently moved to Portugal so please request the new address and do not send any music to Denmark anymore. Tak..
Thursday, March 6, 2014
Shiva’s Nat- Hard to Breathe (Bilocation Records ARFIFACT13)
Shiva’s Nat is the new band formed by former Highway Child singer, Patrick. He is
joined by Morten (Ex-Fuzz Manta) on bass and Alexsander Trap-Jensen on drums
and Bjorn Sunesen on organ. The record starts off very spacey with the track,
The Shape of my Soul. When the track begins it is a very passionate blues song
with the organ playing a major role in the melody of the track. Later in the
track, Patrick plays a lovely guitar solo as well. I’m Alive shows Patrick
belting out a wild vocal and the guitar and bass line is more aggressive as
well. The track has a really jammed out
ending with Patrick taking some extended solo time before the track comes back
to the main theme. Intermission is a slow bluesy track to end side A without
organ. Flip the record over and you start with the Dragonodyssey! This has a
really rumbling bass line over which the track develops and there is some great
double tracked guitars that make this one quite psychedelic. Bjorn comes in at
the end with the organ. You ends the record with a slow starting blues track
with some really fervent singing once again and guitar playing. Fans of Highway
Child will dig the singing but might be surprised how bluesy this one is and
not as rocking perhaps as one might expect. Cool record, I think..
Noetics- Delayed Back remixed (State of the Art Records SOTA011)
The
German psychedelic world music band are back with a new CD in a small cardboard
sleeve with a glue on artwork as well as a double vinyl. It has different
versions of most of the songs from the Delayed Back CD from 2009 but they have
been remixed by various people. I have very mixed views of this material
actually. I have been a big fan of the bands Ozric Tentales like sounds that
they started off with and the way they have travelled a nice journey to create
their own psychedelic world music. Peninsolar starts things off with a chilled
dub vibe. Dschungelgelöt has this really chilled elevator techno jazz bar
feeling. Grant Lump also has this pretty smooth techno groove but I quite like
the violin line. Shinkenwurst Dub is just as it says, a very relaxed dub.
Vibrant Hydrant is also very chilled with a sax and some violin. Rumpankong
features some rapping and female vocals over a reggae style remix in this
Ramfma and knut remix. VeJon Kennedy does his own totally different remix of
Pennisolar and instead of dub this has a quite deep bass line and fast
programmed drumming. Tom tyler remixes
Vibrant hydrant in a very cool and psychedelic track. This was my favourite on
the remix record. Mahdrescher is another dub out trip mix. Rotterdub is a psacey
dub. He CD ends with Der heikle Mann, which is also pretty relaxed. Anyway,
some of these remixes have turned the band’s sound into some sort of laid back
lounge music, while others have maintained more of the original vibe. I like
the last half much better than the first. Take chance…
Baby Woodrose- Kicking Ass and Taking Names (Bad Afro Records AFROCD047)
Baby
Woodrose is back with a new CD collection rare tracks from the mostly B-sides
of their 7” singles. The music has been remasted in the studio and also
features music from some of the very rare 7” records like the one originally
released on Pan records. There is also two tracks from the very first recording
session (That’s how strong my Love Is, 6654321). This is also pressed in 1000
copies on black vinyl for the first pressing. The CD comes in a nice digipack
format. This is a great collection for those who don’t have the money to hunt
down these rare 7” records. I have been spinning it a lot lately...
Saturday, February 8, 2014
Wheel of Smoke- Signs of Saturn (Private Release)
This quite cool Belgium band has
released a new record on vinyl in 500 copies with a poster and a sticker and
they are all hand numbered. I have number 338. There are quite a few guest
vocalists and players adding horns, synths, and Fender Rhodes. The record has a
wide range of diverse material on it and starts off with Sahara, which slowly
fades in before the band kicks into an uptempo and intense song but then at the
break it goes into a totally 70s section with horns and keyboards and the vocal
style changes to this very laid back mood from a very powerful vocal before
returning to the power of the start. Cool dynamics. Serpent is an very nice and
melodic instrumental piece, which really picks up at the end. Salvation is the
last track on side A, which has some very powerful lyrics ending with “chocked
on materialism, forced only to see, we’re losing the power to be”.. I like
that.. It starts with some very nice harmony guitars by Philip and Erik, before
the heavy and slow riff kicks in and the vocals, which have a sort of nasty
angry edge to them, to contrast the nice melody of the song. This track
actually reminds me a bit a lot of the Finnish band, Amorphis. It ends with a
long acoustic section. Flip the record over to hear Sands, which starts with a
eastern flute with Fender Rhodes, section before an acoustic guitar section
with a female spoken voice and as the rest of the band joins on this slow
building piece. Cool song. The record ends in a very heavy fashion with the
monster track, Song of Saturn. It has a very heavy riff to start but then
really evolves in a unique way. This is a great record and not what I had
expected at all. It is also released on a CD digipack, which I forgot to
mention before.
Polska Radio One- Cosmos Inside (Trail Records 015)
This
is a new Russian band released on the very cool US label, Trail records. From
the picture in the digipack, you can see four young men (Dmitry- Guitar, vocal,
keys, Alexander- Electric Tambura, Andrei- Keys, bass, and Feodor- Drums, keys)
who created this very diverse, cool and interesting musical journey. The Final
Mantra starts things off with a slow steady beat that hardly changes throughout
the track, but interesting layers of vocal chants and some psychedelic guitar
playing compliment this interesting intro track. The 2nd track, The
Fractalized Sky will remind people a lot of Wooden Shjips, with its sound, vibe
and vocal style. It has some very cool psychedelic guitar. Time Eternity is an
excellent eastern style instrumental piece and features Stepan Jee on sitar.
Morosim (2 C-P dub) changes the feeling totally as it very spaced out and dub
like at times but some spacey vocals and wah guitar lead lead the way. The track is also pretty hypnotic with a lot
of repeated elements. To the Delta of Aquarius has some more spacey synths and
a bit of a eastern feel to it again and more singing and Saucerful of Secrets
Pink Floyd feel at times. Shagri-La is a slow track with hand drums and a slow
evolving lead guitar line that complements the simplicity of the track as the
keyboards lay low on this one and slowly creep into the sound as it gains in
intensity, when the organ takes over. Launch #93 has some spoken words taken from
some astronauts talking in space, while an acoustic guitar strums and different
keyboard fill in the rest of the space.
The 10min long title track, Cosmos Inside ends this excellent musical
journey. This track has a more uptempo and groovy bass line that gets things
going before the band really improvise and go out into space with a lot of cool
guitar and effects and keyboards as this one gets really intense. There is one
bonus track called Rhymes and Armonies and once again features Stepan Jee on
sitar. The whole journey is 55mins.. I
really liked this CD a lot.
Truckfighters- The Chairman 10” (Fuzzorama Records FUZZLP007)
It
has been years since I heard any Truckfighters. I had the Gravity X CD but
someone made off with it at some point.. Anyway, this 10” has the title track
from the bands new record as well as a live track from Australia. The new track
is very groovy and has all the features that this band does best. The bass is
really leading in this one and they have a lot of cool changes. The guitar
player is not playing hardly any lead guitar but mixing up the riffs a lot. A
very cool mix of vocals as well. Great song. Desert Cruiser is clearly a song
the band and the audience dig as you can hear the audience singing a long and
you almost get the energy of the audience jumping up and down with the way the
band are into it and stretch this one out to 12mins! If you are a fan you will
love this one. I hope to catch them when they play in Copenhagen on Feb 16th…
Spidergawd- S/T (Crispin Glover Records)
This is a new Norwegian band to
me. They have release two singles before this amazing full length record. The
band hails from Trondheim and features the rhythm section from Motorpsycho.
This limited edition vinyl record is a super cool package with amazing artwork
and on a few different colours of vinyl (I got the purple one). The album in CD
is also included. All information about the record is printed on the inside of
the sleeve, so you have to sort of stretch it out to see the writing. The
record features 4 tracks on the A side and two on the B side, one which is most
of the side. Per Borten is the lead man who plays the guitar and sings. There
is also saxophone, trumpet and pedal steel on the record. Into tomorrow starts the record off with a
low fi garage rock type song but then when the bass and band kicks in, it is a
real rocker. The vocals when Per is at his most powerful he reminds me of Spice
of Spiritual Beggars. This track also mixes in some keyboards and horns into
the mix and has a cool groove. Blaer Jubel starts off sounding just like
Motorpsycho the way the bass line runs through the track but Per is a more
intense singer and then the cool lead guitar takes over for a brief section. The
track has a long instrumental section where the guitar is mixed up front and
the rhythm is just killer and it just ends as a sort of faded out jam. Master
of Disguise is uptempo and really reminds me of Spiritual Beggars but with a
bit more rock and roll attitude! Southeastern Voodoo Lab starts off a bit funky
but then just ends up in a very jamming loose feeling track. Damn, this side is
some kick ass rock and roll with attitude, some far out fuzzed out guitars and
killer grooves. It is great when the horns kick in as well. Flip over the
record you have an extended version of Empty Rooms that was released as a
single. It starts off with a sax solo and a long intro before the band and
powerful vocal kicks in and the track really rocks with a powerful bass line
like Back to Komm by MC5 and a cool guitar with some massive effects on it. Million
and Somersault is a long jammed out instrumental track and by far the most laid
back on the record but with some excellent space outs and psychedelic parts and
lots of changes. Amazing record..
Mr. Peter Hayden- We Fly High 7” (Doognad Records DOOG019)
The psychedelic rock band from
Finland entitled Mr. Peter Hayden have a new 7” record out to proceed the
release of their next full length record due out in April. The 7” has the long
track split over two sides. If you heard the bands last record, then you will
get an idea of the direction the band was heading. The side A starts off slow,
heavy and spacey with a quite far out sound production to start (especially if
you play it at the wrong speed!). When the track really begins it is heavy,
repetitive, and slowly evolving with a distant vocal. The lead guitar lines
make it pretty psychedelic before you have to turn the record over. A quick
fade up before the monster space laden doom riff kicks in. This track is
basically instrumental but towards the end you can hear a voice that sounds
like it has a vocoder effect on it but it is mixed into the background. The
next record is going to be a trip for sure!
Falcon (Ex-Circle)- Frontier (Full Contact Records KRYPT-048)
The
first (and maybe the last) Falcon record is out now. For those unaware, Falcon
is all the current line up of Circle playing normal rock, with more than a hint
of the worst of the 80s hard rock/metal scene, with the cheesy keyboards, etc..
but they can’t do it totally normal, there is always that little strange Circle
twist. I love some of the lyrics especially on Beer and Ribs, which was
released as a single last year. If you are a fan of Circle, musically you will
find this a bit disappointing, unless you can really see how much fun the band
had making a record like this. I enjoyed some of it quite a lot but you have to
think about it in a different way, that this is not really Circle, but it still
is…. Just check it out and make your
own opinion and if you dig, order the record….Siena Root- Conveniently Blind 7” (Transubstans Records TRANSV708)
This is the first new material by
Siena Root in 3 years. The title track the band has been playing in their live
set for a year or so. This is the last recorded material with
multi-instrumentalist KG West, who has now left the band. Conveniently Blind
(plays on 45rpm) is the first material to features the new singer Jonas Ahlen.
This is a straight up Siena Root 70s roots rock track with some nice organ and
guitar work. The whole band sounds great. Mishra Kafi is a 5½ min instrumental
track that is based on a composted sitar piece for the start and then half way
through a melodic hard rock build up kicks in and KG plays like a lead guitar
line on the sitar that sounds really cool and then the last guitar section he
switches back to his trusty Stratocaster! Great song and 7”.. I think it is
pressed in 1000 copies. I can’t wait for the full length record later this
year!This is Nowhere- Turn on, Tune Down, Drop D (Nasoni Records 142)
This
is Nowhere are a Greek band playing pretty psychedelic stuff, all tuned
down, stoney and spaced out! This is the bands third release. The record comes with an insert as well as a CD
version of the record with three bonus tracks, which are just remixed and
different versions of three of the songs from the record (Moondub, I Need and I
wish upon her for my Fall). Anyway the record starts off with Dopehead Blues
(Lonnie Johnson song), a slow druggy blues track. Here you can get used to the
reverb laden sound production. I need reminds me a bit of White Manna in a way.
A sort of straight up rock and roll song but with strange twists and far out
vocals, guitar parts, etc.. Bateman’s Late Night Shift is really psychedelic
and passionate. I wish upon her for my Fall starts slow and crawling with just
vocals and guitar reverb as it slowly grows. Side B starts off with the really
psychedelic track, Two Nights. A great
stoner rock riff and groove followed by some really spaced out vocals, which
they later ease up on but the grooves continue. There is not a real guitar solo
but more some spaced sounds. Theme for Peter slows things down a bit but is
like a stoney psychedelic blues song. Theme for Bootsy, pretty much says it
all, right? Well, it is not as Funkadelic like as you would expect. The guitar
riff is pretty similar to the other songs with more spacey vocals. It gets more
uptempo and spaced out towards the end and then returns to the chorus of
vocals. Moondub ends this very cool record and is more floating with some nice
guitar lines. I really like the vibe on the record as the songs are all like
spaced out jams. They have two guitar players but there is very little lead
guitar, it is mostly just heavy riffing and some psychedelic guitar parts but
not many solos. Anyway, I dug the record, the vibe and it is great when you
want a really heavy stoned trip. Enjoy…
Dog & Sky- Denver (Crispin Glover Records NONE5CGR030)
Dog & Sky is a collaboration
between Americans Matt Burt and Michael Dutch with three Norwegians from
Trondheim. Matt writes all the lyrics, plays the guitar and sings (or speaks),
while Michael plays the bass and mandolin, while Eirik (saxophone, piano,
glückespiel, tablas, tambura), Truels (guitar, vibraphone, dobro, piano and
backing vocals), and Vigdis (drums and backing vocals) make up the band. I this
have heard record many time now and am pretty hooked even though it is nothing
I would have bought unless someone pushed me in the right direction. Anyway,
Denver starts off with a sound sample and a slow steady bass, drum and simple
guitar line while Matt sings/speaks very slowly. It has an upbeat section where
it becomes more “normal” for a brief period of time before the horns and all
other instruments kick in and you wonder just what happened? Cool song. Jail
Cells starts with some pedal steel and then the track starts to develop a bit
of Americana but with a very cool and unique feel. Woman on the Corner, Matt
changes his vocal approach and sings in a bit of high range as this track has
an almost strange punky vibe. Reminds me of some of the Sub pop stuff by bands
like Beat Happening.. Side B starts off with Sometime a Woman and it reminds me
of someone that I just can’t place. The way the vocals, guitar and saxophone
are played.. Ugh.. who is it??? Holding Hands has slow and fast parts and tells
a nice story in this more mainstream track and features the mandolin. The Midnight
Hiker is a very strange spoken word story with only minimal mood music. I found
it quite a daring thing to add to the record but I actually liked it a lot.
Great record.
Circle- Incarnation (Full Contact Records KRYPT-047)
I am only writing this review as
a warning to those who might buy it. THIS IS NOT CIRCLE FROM FINLAND! It is
five Finnish musicians from the Death metal scene using the CIRCLE name and
making psychedelic death metal. It actually has nothing to do with Circle
except being released on the label. There are 5 tracks on the record. The title
track starts with like 30 seconds of silence and then some very brutal death
metal blast out to shock you. It has a very low fi production and strange
feeling to it as it pummels you. The mid-section is totally mad with lots of
tortured screams. Infamy has a more melodic start but then hits the road at
breakneck speed. The end is totally crazy with some psychedelic guitar madness.
Wow.. Crazy stuff. Transcending starts off side B with some solo drums before
the heavy stuff kicks in. This is also some intense stuff with the vocals mixed
more in the back and some spoken words as the music is generated in waves. Bloodstreams
is a very short track and returns to the super fast intense death metal of the
first track. Burden has a crazy guitar sound to start things off and then a
deep bass starts a kind of hypnotic groove as it slowly gets more and more
psyched out and intense. Crazy record..
Circle- SSEENNSSEESS (Full Contact Records KRYPT-052)
Circle are back with a new live
record, featuring 4 tracks recorded live on Nov 22nd, 2013 as part
of the Mika Taanila art exhibition in Helsinki. Kudos starts slow and building
with a very beautiful melodic thread and keyboard line. Slowly the lead guitar
starts to play and then Mika kicks in with some really unique Finnish vocals.
He is singing in a bit different style than normal Circle. The keyboards play a
major part in this 15mins song that slowly builds with short keyboard and
guitar solo sections interspersed between the singing. It makes a few dramatic
changes at several points into an almost jazz like theme. Radiant is the next
piece on Side A and nearly 9 mins long. It has a melodic repetitive groove to
start but then it sort of evolves into as the operatic vocal kicks in. Again,
the keyboard is playing a major role in the sound on this track, creating the
main melody but also padded space at times. This can only be Circle! Flip the
record over and there are two 11 min songs starting with the Sleepwalker. It
has a slow repeated theme as the guitars noodle, the vocals appear and go away
over the course of the track as Mika gives an occasional shout. There is some
sort of recorded talking also you hear now and then but maybe it from the
audience or the art exhibit? Terminal brings back the intensity with a more
heavy metal like riff but 80s Falcon like keyboards in another diverse track
with some cool dual psychedelic guitar jamming. This was my favourite track on
the record. Pretty cool record..
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